"A Western Story of Feminine Comradeship and Courage"
Queen of the Nightclubs Texas Guinan takes rides the range!!
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Unknown Role
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.
A group of women band together as they go to war against a pack of men who have done them wrong at every turn.
Musical western short
Two road weary travelers experience the supernatural and the refreshing taste of Miller Light.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
A young Navajo man performs a ritual related to the moon.
A young boy dreams of being a cowboy. After he gets the basics, as outlined in the title song, he's attacked by Indians. He runs out of bullets and manages to lasso them. He smokes the peace pipe with their chief. A robber is holding up a stagecoach and he rides to the rescue, refusing the reward. He also saves a train from a dynamited bridge, and a girl tied to a cactus, before riding into the sunset (and back to his suburban bed).
Yosemite Sam tries to force Bugs Bunny to do a high-diving act when the regular act cancels.
The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
Bandit Pistol Pete enters a lawless western town and robs a bank. The town is in desperate need of a sheriff. Enter wandering cowboy Goofy who notices a pretty girl being held up in a stagecoach robbery by Pete. Lovestruck and completely oblivious to Pete, he foils the robbery while getting to know the girl better. This earns him a reputation as a great gunslinger and he is challenged to apprehend Pete. Pete tries to get his revenge on Goofy but every attempt backfires due to Goofy's clumsiness usually directed unintentionally at Pete.
Aftermath was the pilot for an unsold TV series called "The Code of Jonathan West"; it aired as part of The General Electric Theater. The film takes place just after the Civil War, in a small southern town – war-ravaged, impoverished, and seething with hatred and resentment.
Off a lonely Texas highway, a group of hustlers prey on the desperados who have come for sex, drugs and Mommas special milk. When a murderous cowboy rolls into town, a young trans boy quickly sees an opportunity to feed the physical and emotional hunger that has long been ignored by the neglectful Momma. As the boys begin to fall one by one, Penny is caught between the Cowboys lustful rage, and the greed and corruption that Momma represents.
A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.
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