A little boy's Christmas wonders, and adults' reality.
Social & External
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
Part of John Nesbitt's Passing Parade series, this short shows how three seemingly unimportant things can affect people. The first is how the number 7 affects a student accused of theft charges. The second segment shows that a person's doodles can reveal personality traits. The final segment shows why certain items are on men's suits, such as lapels.
Herbert Fux talks about his role in the 1970 film "Hexen bis aufs Blut gequält" also known as "Mark of the Devil"
The director documents the events leading to a reunion with her estranged father.
Students from nine nations unite on August 7, 1950 at the Franco-German border near Germanshof, tear down the barriers and remove the border posts and barriers, which they burn in a ceremony. This act is a commitment to Europe and a protest against the arbitrariness of borders between nations.
The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.
A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.
Cameras focus on one of the UK’s most visited destinations at the festive season. We experience the delight of the Christmas market in the town of Broadway, where its High Street becomes a bustling winter wonderland of stalls and late-night shopping. Plus, a visit to a luxury hotel to see how a top chef makes a festive afternoon tea to remember.
The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
There is romance in every corner we turn. In this sequel to the documentary, Old Places, Old Romances takes us on a journey to experience Singapore through the collective voices of ordinary Singaporeans. Through their voices, we hear personal stories from members of the public who shared their anecdotes on radio. Everyday spaces come alive with these special memories, which are bonded forever with these places. Old Romances is a journal of love letters to places that we grew up with.
27-year-old Maggie has a date in her crush's apartment. When she suddenly gets her period during dinner, she flees to the bathroom, where she is confronted by a little monster in her head that has been making her life difficult for far too long.
An entire overview of the global and culture phenomenon franchise, The Hunger Games series.
Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.
Every six months - when anxiety allows him some respite - Filippo goes to the hospital and has his now familiar HIV test. During one of those mornings spent in the waiting room, his eyes furtively meet those of another boy, Simone. While they are waiting for their turn, they keep glancing at each other. It looks like there is a great chemistry between them, and that chemistry slowly turns into a relationship.
A maiden is murdered by a mysterious ninja, unfortunately two young ladies witness this, good thing the bored Lord is walking by, he saved the girls but was too late to save the maiden, quickly he finds himself mixed up in a mystery of murdered maidens, an unknown ninja clan, attempted assassinations towards himself and a cursed vampire bat cave, can the bored Lord solve this puzzle before maidens lose their lives?
The strange driftings of a displaced man.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Recorded at Sydney's Opera House in October 2010 during Simply Red's farewell tour of 2009-2010, the aptly named Farewell captures Mick Hucknall in fine nostalgic form. There are no surprises, either in song selection or in his band's impeccably smooth approach, but comfort is the point of the whole affair: it's one last chance for fans to hear those songs again. For anybody who isn’t a fan -- or got off board somewhere around the time when Stars turned Simply Red into sensations everywhere but the U.S. -- this will hardly be cause for re-evaluation, but Farewell does celebrate everything that made Mick Hucknall into an international superstar.
A spokesman rises to the top of the Greater Boston area spokesperson game.
Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.
Sandra and Jorge's trip was expected to be pleasant but things often don't go as planned. Sometimes the middle of the road becomes the beginning of an utterly different story and you never arrive to your intended destination.
This film is an adaptation of Jean Amila's novel Le Boucher des Hurlus. The story, set in the aftermath of the war, is about Michel, a young man orphaned in this manner. He lives with his mother until she collapses under the wave of vituperation from the women in her community, who consider her murdered husband to have been a traitor. When he is sent to an orphanage, he discovers that many of the children in it are there for the same reason he is. Michel decides to escape his captivity and kill the general who ordered his father's death. He and the other children like him are able to get away from the orphanage, in the course of their journeys, they tour the grim battlefields of the recent war. Together, they return to Paris, determined to exact their revenge.
