"There is nothing like a Grateful Dead concert"
The Grateful Dead performs live at Winterland in San Francisco in October 1974.
Social & External
The people behind it
Jerry Garcia
Self
Bob Weir
Donna Godchaux
Keith Godchaux
Bill Kreutzmann
Mickey Hart
Phil Lesh
Set 1: Hell in a Bucket(Grateful Dead cover) Alabama Getaway(Grateful Dead cover) Jack Straw(Grateful Dead cover) Big Boss Man(Jimmy Reed cover) Peggy-O([traditional] cover) Bertha(Grateful Dead cover) (>) Cassidy(Bob Weir song) Don't Ease Me In(Henry Thomas cover) Set 2: Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Truckin'(Grateful Dead cover) (>) China Doll(Grateful Dead cover) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Althea(Grateful Dead cover) (>) Standing on the Moon(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover)
This documentary explores the Deadhead phenomenon. For thirty years, Jerry Garcia played guitar and sang for the Grateful Dead, and by doing so, inspired a modern cultural phenomenon: the legions of nomadic fans that made a communal way of life out of following Jerry and the Dead, the Deadheads. The End of the Road began shooting three months prior to Garcia's death in 1995, on the road with the wandering family of Deadheads- on what would be the final tour with Jerry and the Grateful Dead. Featuring a soundtrack by Merl Saunders and Jerry Garcia, the film celebrates this social, political and cultural movement in its twilight.
Jerry Garcia, legendary lead guitarist for the Grateful Dead and David Grisman, virtuoso mandolinist and founder of "Dawg" music… Now, for the first time ever, the musical matrimony and extraordinary friendship of Garcia and Grisman is traced in the award-winning documentary Grateful Dawg.
The Grateful Dead perform two live concerts in Oakland and Anaheim in 1987. Featuring the entire sets from both shows, View from the Vault 4 is a must-rent for the legions of Deadheads. Songs include "When Push Comes to Shove," "Funiculi Funicula," "Terrapin Station," "Throwing Stones" and many more.
A short documentary about the Grateful Dead's legendary May 8, 1977 show at Barton Hall at Cornell University.
View from the Vault, Volume One, sometimes known simply as View from the Vault, is the first release in a series of DVDs and companion soundtracks by the Grateful Dead known as "View from the Vault". The audio is taken from the soundboard and the video from the video screens at the concerts. The first volume was recorded and filmed at Three Rivers Stadium in Pittsburgh on July 8, 1990 with bonus material recorded two days earlier at Cardinal Stadium, Louisville. The set was certified Gold by the RIAA on February 2, 2001.
In celebration of the 50th anniversary of Grateful Dead, the "core four" original members - Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir - reunited at Chicago's Soldier Field on July 3rd, 4th and 5th for the most anticipated concerts in recent history. Joined by Trey Anastasio, Jeff Chimenti, and Bruce Hornsby. Fare Thee Well: Celebrating 50 Years Of Grateful Dead is the original members' last-ever performance together nearly 20 years to the day of the last ever Grateful Dead concert with Jerry Garcia, which took place at the same historic venue.
Ending months of speculation and anticipation surrounding the first Fare Thee Well -Celebrating 50 Years of the Grateful Dead concert, the “core four” remaining Grateful Dead members -drummers Bill Kreutzmann and Mickey Hart, bassist Phil Lesh and guitarist Bob Weir -along with Phish guitarist Trey Anastasio and keyboardists Bruce Hornsby and Jeff Chimenti slowly eased into “Truckin’” to begin the show. The biographical lyrics to the song proved to be a fitting choice to start the anniversary celebration, with the famed “What a long strange trip it’s been” verse capturing the moment perfectly. Recorded at Levi's Stadium on June 27th and 28th, 2015.
From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.
Grateful Dead show on July 17, 1989 at Alpine Valley.
Covering 10 years, this 60 minute art documentary takes an inside look at the artisans, magicians, musicians, and lunatics that make up this cult of devotees, deadicated to a band that originated in 1965. Why these fans leave their schools, families and jobs to be part of these ritualistic tribal celebrations of dance, drugs and community, is a 20th century American cultural phenomenon captured here in this time capsuled video tape.
This project was done with humor, truth, and sarcasm. At the University of California, Santa Cruz, UCSC, where I went to college, there were many fans of The Grateful Dead. They called themselves Deadheads. I had not heard of the band before attending the school. I listened to the music, and I didn't understand why people felt so passionately about the band. I was intrigued. So in 1986, I decided to try and understand these people and the music they loved, and to create a video of my quest. This documentary project is the result. Enjoy.
Rarely seen unofficial Grateful Dead documentary short. Filmed on the road in Europe, 1990.
Recorded on Shakedown Street in Albany, NY during Grateful Dead's Summer Tour, 1992.
In 1993, Grateful Dead took the stage at Buckeye Lake Music Center in Hebron, OH. On hand that night was Peter Shapiro, at the time a Northwestern film student spending a month on summer tour alongside cameraman Philip Bruell. The Buckeye Lake show opens and the Heads document the swelling Dead scene.
1990 documentary by the University of North Carolina at Greensboro, featuring sociologist Rebecca Adams, PhD, who examines Deadhead subculture through a theoretical framework based on the ideas of social theorist Georg Simmel. Aired on PBS in the early 90s.
Grateful Dead - View from the Vault III Shoreline Amphitheater Mountain View CA June 16, 1990 First Set: 1 Let The Good Times Roll 2 Truckin' 3 Touch Of Grey 4 Mama Tried 5 Big River 6 Friend Of The Devil 7 Cassidy 8 Big Boss Man 9 One More Saturday Night Second Set: 10 China Cat Sunflower 11 I Know You Rider 12 We Can Run 13 Estimated Prophet 14 Terrapin Station 15 Jam 16 Space 17 Drums 18 China Doll 19 Sugar Magnolia 20 It's All Over Now, Baby Blue Bonus Footage: Shoreline Amphitheatre - Mountain View, CA - October 3, 1987 21 Hey Pocky Way 22 New Minglewood Blues 23 Candyman 24 When I Paint My Masterpiece 25 West L.A. Fadeaway 26 My Brother Esau
The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.
Grateful Dead live concert footage from July 4, 1989. Set list includes: Set 1: Bertha-> The Greatest Story Ever Told Cold Rain And Snow Walkin' Blues Row Jimmy When I Paint My Masterpiece Stagger Lee Looks Like Rain-> Deal Set 2: Touch Of Grey-> Man Smart Woman Smarter Ship Of Fools-> Playin' In The Band Reprise-> Terrapin Station-> Drums-> I Will Take You Home-> All Along The Watchtower-> Morning Dew-> Not Fade Away Encore: U.S. Blues The Band: Jerry Garcia Mickey Hart Bill Kreutzmann Phil Lesh Brent Mydland Bob Weir
Set 1: Good Times(Sam Cooke cover) Scarlet Begonias(Grateful Dead cover) (>) Deal(Jerry Garcia cover) Black-Throated Wind(Bob Weir song) Dire Wolf(Grateful Dead cover) Bird Song(Jerry Garcia cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) (>) Terrapin Station(Grateful Dead cover) (>) He's Gone(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'The Other One' verse 2 >) Days Between(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Encore: One More Saturday Night(Bob Weir song)
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
The incomparable Bruce Springsteen performs his critically acclaimed latest album and muses on life, rock, and the American dream, in this intimate and personal concert film co-directed by Thom Zimny and Springsteen himself.
Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.
A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.
In 1987, to capitalize on his growing success in Europe, Prince toured extensively to promote the album of the same name and sales increased accordingly. However, the United States remained resistant to his latest album, and sales began to drop; it was at this point that Prince decided to film a live concert promoting the new material, for eventual distribution to theaters in America. Featuring the band that accompanied Prince on his 1987 Sign o' the Times Tour, including dancer Cat Glover, keyboardist Boni Boyer, bassist Levi Seacer, Jr., guitarist Miko Weaver, drummer Sheila E. and former member of The Revolution keyboardist Dr. Fink, the film sees the group perform live on stage (although "U Got the Look" is represented by its promotional music video).
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.
Grammy® winner singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”
A behind-the-scenes documentary about the recording of Aretha Franklin's best-selling album finally sees the light of day more than four decades after the original footage was shot.
50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.
As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.
Documentary about the arena-packing Swedish DJ, chronicling his explosive rise to fame and surprising decision to retire from live performances in 2016.
Here's a little story they're about to tell... Mike Diamond and Adam Horovitz share the story of their band and 40 years of friendship in a live documentary experience directed by friend, collaborator, and their former grandfather, Spike Jonze.
A documentary capturing the creation of the album Junun inside Rajasthan’s 15th-century Mehrangarh Fort. Paul Thomas Anderson follows Jonny Greenwood, Shye Ben Tzur, Nigel Godrich, and the Rajasthan Express as they record a cross-cultural fusion of Indian, Israeli, and Western music.
A documentary chronicling Queen and Lambert's incredible journey since they first shared the stage together on "American Idol" in 2009.
Filmed at the end of the tour in Vancouver, B.C., with the entire Tortured Poets Department set.
A celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.
A backstage and on-stage look at Justin Bieber during his rise to super stardom.
After years in the limelight, Selena Gomez achieves unimaginable stardom. But just as she reaches a new peak, an unexpected turn pulls her into darkness. This uniquely raw and intimate documentary spans her six-year journey into a new light.
The story of the triumphs and hurdles of brothers Barry, Maurice, and Robin Gibb, otherwise known as the Bee Gees. The iconic trio, who found early fame in the 1960s, went on to write over 1,000 songs and have 20 No. 1 hits throughout their career, transcending more than five decades of changing tastes and styles.
Fresh off the heels of her brand-new album, "Happier Than Ever," this cinematic concert experience features an intimate performance of every song in the album's sequential order – for the first and only time – from the stage of the legendary Hollywood Bowl.