Michel Gondry assembles alternate version of his The Science of Sleep from cut scenes and B-roll footage.
Social & External
When a tech blogger lands an interview with a tech guru and stops an attack on him, he finds a mysterious ring that takes him back 57 seconds into the past.
Satomi is fine being alone until an AI named Shion joins her class with a song and a promise to make her happy. While Shion’s musical numbers and princess gowns don’t quite pass as human, her antics bring Satomi closer to four other classmates. Together, they make memories worth saving, but even our most precious data can be erased.
A woman sexually assaulted by her new boss's brother-in-law tries to move on as if nothing happened, but the night weighs heavily on her mind and body.
Ludo is about the butterfly effect and how, despite all the chaos and crowd of the world, all our lives are inextricably connected. From a resurfaced sex tape to a rogue suitcase of money, four wildly different stories overlap at the whims of fate, chance and one eccentric criminal.
After the discovery of a mysterious VHS tape, a brutish police SWAT team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.
The Grinch hatches a scheme to ruin Christmas when the residents of Whoville plan their annual holiday celebration.
Three friends discover that they have the power to travel back and forth 20 years with a sneeze. However, the future is not as good as they hope, and they need to take on the responsibility of saving the world.
A movie fan escapes from a labour camp during the Chinese Cultural Revolution and strikes up a relationship with a homeless female vagabond.
Lizzie, a high-end event planner, lies awake nightly while her devoted fiancé Josh rests peacefully. When a sleep-deprived incident causes her to run into Billy, a low-key bartender who is just as sleepless and frustrated as she is, they discover that they can only fall asleep while next to each other.
In 1980s - 1990s Italy, Riccardo Schicchi’s agency Diva Futura turns free love into porn, making stars of Ilona Staller, Moana Pozzi and others known around the world. Their fame leads to Cicciolina’s election and Pozzi’s mayoral run.
Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.
Dong-hyun is a high school student. One day, he falls from the rooftop and bumps into Pan-soo who is a passerby. Pan-soo is a member of a criminal organization. When the two men wake up in the hospital, they discover that they have switched bodies.
Emily Prime is swept into the brain of an incomplete backup clone of her future self.
Real zombies arrive and terrorize the crew of a zombie film being shot in an abandoned warehouse, said to be the site of military experiments on humans.
An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.
A filmmaker stands trial when a costume assistant on his movie accuses him of rape.
Convinced of the final outcome, a team of scientists travels back in time to stop the spread of a virus turning men into zombified rapists through society and causes them to finally uncover the source of the deadly disease which causes them to attempt to stop it before it happens again.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
