Raï Story: From Cheikha Rimitti to Cheba Djenet

Raï Story is a musical journey in search of the Raï legend, Cheikha Remitti, in Oran, Algeria, where the Raï musical tradition began. In 1923, the first Raï singers performed behind screens during ceremonies to protect their identity. It was only when the music of singer Cheikha Remitti began to gain popularity among the general public that Raï music was made public, in the 1940s. Cheikha Remitti, who lives between Paris and Oran, is nowhere to be found, the filmmakers then decide to meet producers, musicians, singers like Cheba Dalila or Cheba Djenet, for whom Remitti created a wake. The opportunity, through these unique stories, illustrated with archive images, to retrace the important place of women in this musical tradition and the transformation of Raï music from the 1960s to 2000.

La Bataille d'Alger, l'empreinte

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

Five Directors On The Battle of Algiers

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .

The Women

Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.

Et les arbres poussent en Kabylie

A warm, attentive chronicle of everyday life in a small Algerian town, with the backdrop of the inhabitants' development and beautification of one of the neighborhoods. We meet an amateur mechanic, a retired man from France, a doctor, old women and young men. Everyone plays... in front of the camera of one of the youngsters. Even when the riots in Kabylia disrupt the course of daily life in the Cité des Martyrs.

Algérie, la vie toujours

Hitler's Disastrous Desert War

When the British army looks set to defeat Mussolini’s Italian forces, Hitler sends reinforcements; the Afrika Korps led by General Rommel. The Desert Fox is on winning form until Montgomery, the British commander, sets up a plan to crush his opponent. After the American landing in North Africa, the Axis armies have no choice but to surrender and put an end to the Desert War.

Algeria, Memoirs of Raï

In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.

Le Choix de mon père

Algerian Refugees

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

The Nouba of the Women of Mount Chenoua

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

Letter to My Sister

Nabila Djahnine, president of the feminist association Thirghri N'tmetout, died in hands of an armed group in Tizi Ouzou (Algeria) in 1995. The Islamists forced women, on pain of death, to wear the hijab or stop working. It was the first time a feminist woman paid with her life. Nabila wrote a letter to her sister Habiba in 1994. This documentary is her answer. In 2006 Habiba comes back to the place to restore her sister’s memory, her point of view, the day of her death and the political moment Algeria was going through at that time.

Alger Et Ses Environs

The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.

Séfar, A City of Mysteries

Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.

L'Homme de L'Atlas

Afric Hotel

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

Algériennes, Trente ans après

Algérie 1988-2000 : Autopsie d'une tragédie

History of Pottery and Ceramics in Algeria

In Algeria, pottery is different from one region to another, the result of the various influences it has undergone throughout history. If the manufacturing steps are substantially the same, the result is far from identical. In Kabylia, for example, the pottery, decorated with patterns, is red in color. In the south of Adrar, there are objects with rather original shapes and black in color. The pottery of the Nementcha Mountains is fashioned in clay with pink tones and decorated with brown designs. Originally, objects were made in families and exchanged between neighbours...

Boudjemâa et la Maison Cinéma

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

Penny's Party

Prudence Penny and Gwen Lee give more cooking tips in Technicolor

When the Night Comes, Step Slowly

"Be Silent at Night", Caia reads on a wall in the apartment she has just moved in. Among the insistent innuendos by the new neighbor and the presence of her insurgent body in a new location, Caia begins to live inside a horror movie. In Gabriela Alcântara's film, the protagonist resorts to the protection of the Orixás to confront her fears and hauntings, experiencing magic through the strength of the herbs and the women around her.

Geisterkatzen (1)

Dear Abbot

The film is organized around a selection of letters written between 1924 and 1943 by Catholics to the Abbot Jean Viollet, founder of the Christian Marriage Association and a magazine devoted to the "matrimonial questions" of Christians.

Birds of a Feather

Mrs. Meany is a bird watcher. Of course, she stumbles across Woody. Woody teaches Mrs. Meany "everything you need to know about bird watching." She finds that a bird is hunting her. It's an eagle who wants her as a mate and who chases her endlessly.

Piggy Bank

Animated adaptation of Kir Bulychyov's sci-fi short fiction.

Baptiste Lecaplain et ses potes : Le spectacle

Glückliche Reise

Satan Tempts with Love

A crime movie directed by Rudolf Jugert.

Free and Easy 8

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

Animal Image

‘An animal simply is,’ nature photographer and writer Heikki Willamo says as dazzling black-and-white images segue from a forest bear to a seagull gliding over the sea. The animal images are themselves captivating, without any need to ask what is happening next. Directed and shot by Perttu Saksa, a well-known photographer, Animal Image borrows its form and speech from the reputed existence of animals: there is only here and now.

Mau

Mau follows the unlikely story of design visionary Bruce Mau and his ever-optimistic push for massive change.

Hearts of Oak

Terry Dunniva, a retired sea-captain living in Marblehead, Massachusetts, adopts two children, Chrystal and Ned. As the girl grows to womanhood, Terry realizes his fatherly-love had grown to something stronger. He asks her to become his wife. Chrystal, who is in love with her foster-brother, consents rather than destroy Terry's happiness. On the day of their marriage, Ned returns from a long voyage with the intent of making Chrysal his wife. And, he, too, rather than destroy the happiness of his adopted-father, leaves to embark on an Artic voyage that might mean his death. When Terry learns of the sacrifice both Chrystal and Ned are making on behalf of his happiness, he takes Ned's place on the voyage and gets both to pledge that if he does not return, they will marry each other.

Grundstensnedlæggelse ved Gustav Adolfs Kirke

Laying the Foundation Stone of Gustav Adolf's Church.

A Boulevard Romance

The film was shot on the story of Valentin Pikul “Go and do not sin”, which tells about the real events that took place in Russia at the beginning of the 20th century. The story of the young beauty Olga Palem from a poor large family is replete with tragic events. Olga's passionate disinterested love for student Alexander Zapolsky becomes her evil rock. Spoiled and selfish, Alexander is not able to appreciate her feelings. Exhausted by humiliation, a young woman kills her lover. The high-profile trial of Olga Pale becomes a sensation that stirred up the whole of Russia ...

A Hand Cuffed Passenger

Hi-Fi

A deep dive into the history of São Paulo's avant-garde poetry movement, starting from fragments of the works of poet Augusto de Campos. A collage of rare scenes shows a long trail of comradery between avant-garde poetry and experimental cinema.