The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at Dwayne’s Photo.
Social & External
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
In a fantasy world, a griffin embraces his fate and goes on an epic journey to find a legendary creature : The Human.
Outside a village in deep snow, there lived a boy named Kanta and his grandpa. One day, the grandpa gets sick. Kanta decides to go get firewood for his grandpa from the woodshed he is very scared of.
The boy has longed to visit the northern country and experience the beautiful mysteries of nature that his childhood friend Norman the Snowman has told him about. On the first day of snow in the northern country, the boy sneaks out of his house and boards a northbound train with Norman to see the mysteries of nature with his own eyes.
In a thick forest full of giant trees, a boy lives modestly with his family. One day, a guardian of the moon looking like a squirrel shows up in front of the boy, saying the moon got accidentally stuck on a high tree somewhere far East. Night dominates the world as the sky stops moving with the still moon. Now, the boy and the squirrel go off on adventures into the dark forest to search and free the moon.
In 1968 Herz Frank made Without Legends (Bez leģendām) at the Kuibishev studios, together with Aloizs Brenčs and Aleksandr Sazhin.
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.
This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.
Movie-lesson observations in the classroom teacher of the Leningrad Conservatory honored artist of the RSFSR N..The Serval. Forty physical steps from the Leningrad Conservatory to the Kirov (Mariinsky) theatre - the way of the artist, overcome, physically and emotionally exhausting rehearsals. Great camera work.
A film about a simple village woman Zinaida Zvereva who married a disabled frontline soldier and lay all the hardships of living together onto herself
The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.
The Fantastic Mr. Fox, bored with his current life, plans a heist against the three local farmers. The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.
Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.
Arthur Fol attempts to get Peg's second hair back from the planet Ashlar by using his new invention, the Interstellar Portateller ray, but brings back characters from the film as well.
One of three short animated films based on the comic strip.
An authorized stop-motion sequel to Jörg Buttgereit's 1993 movie "Schramm", called scenes from the Afterlife of Lothar Schramm, who was the centre of the feature film.
Abandon by her family for being different, Sirena lives alone and hopeless for a future. Until, when she least expects it, she will finally find her perfect match.
This is a documentary film on the romantic and decadent atmosphere of Venice at the end of the 18th century. A vigorous comment by Jean Cocteau tells us of the sick souls and the sorrows of literary characters and musicians who lived the dream of this city. It is the Venice of Lord Byron, Alfred de Musset, George Sand, d'Annunzio; a Venice made of precious images, palaces reflected in the water, mysterious moonlights, little squares where unhappy lovers wander under the music of Richard Wagner.
Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.
