Promotional short produced for the opening of the Metro Cinema in Cairo in 1940.
Social & External
Himself / Narrator
Directed by Vincenzo Marano, Patrick Timsit
Directed by David Ungaro
The Directorial Debut of Naomi Scott (Charlies Angels, Aladdin) and Husband Jordan Spence brings a quirky creative Music Film with striking visuals. This story explores the way in which 'forgetting' is not an easy task.
A running feud between Star Trek actors Brent Spiner and Levar Burton is the basis for this TV comedy pilot.
Kazu becomes distrustful of his current partner Shin and goes to see his ex-boyfriend Takashi. But he finds out that Takashi has gotten married to a woman and feels that he is left with nowhere to go.
Deadpan and 18, Stacey grapples with romantic feelings for her hardened older sister Angela.
During a football training, two friends celebrate a goal effusively, which causes an unexpected reaction in one of them.
Peter takes his British friend Adam on a personal but political tour around Budapest. In an underground club, Adam makes a move at Peter — who now has to come clear with his own feelings.
The story about the wild creatures of the wild forest and one impudent Cat who walks by himself, and all places are alike to him.
Anna is twenty-five. Her boyfriend, Louis, is a math teacher. Together, they give birth to a child, Leo. A few months later, the discovery of Leo's deafness is an upheaval.
A gay youth can't face buying porn at his local newsstand: will his straight friend help him?
When the victim of a violent hate attack joins a gay gun club, he finds himself caught between two rival gay rights activists seeking to manipulate his story for their own agendas - one the club's charismatic leader, the other his domineering partner.
Adio is a young man able to control a condition that causes his involuntary transformation into objects based on his emotions until he meets Sophie.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
Cinderella escapes at midnight, leaving behind one of her glass slippers. In the days that follow, the gay prince can't give up the idea of completing the pair.
A woman wakes up hanging upside down. When she screams for help, a phone rings and a voice helps her escape.
