Social & External
Hiding inside&out, writhing about, taken out&in.
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
A short movie about a guy living in his own world.
Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
To save their relationship, a young couple dive down a rabbit hole of conflicting internet advice.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Cooper is given a decision that could help him finally make a difference or get him killed.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
This film tells the competition in the telecommunication sector over the last years, in order to make us understand its stakes and the industrial and commercial logics. The story is told by its four main characters : Martin Bouygues, Stéphane Richard, Xavier Niel and Patrick Drahi.
The film includes sections which explore the illusion of movement within the frame, the movement created by the filming and projection equipment, of movement suggested by camera manipulation (e.g. zoom, re-focus, etc.). Structural Studies exemplified the Hein’s central project of elaborating the central process of the cinema, situating those processes equally in terms of artistic production and mechanical reproduction.
A short Japanese experimental film
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Europe, 2028. A humanlike creature washes ashore, carrying with him a motionless body he calls his mother. He is on a mission of some kind, reporting on the dwindling human activity in an increasingly automated world.
The most beautiful planet deconstructed, played with, and put back together again.
In the old projection room of a cinema something comes to life. 24 frames per second. 24 beats per minute. The analogue film is infinite. ∞
The interface of contrary realities is torn. Passion and fear of unbelievable strength are connecting and scattering the siblings. What remains: the search for love - the getaway into another reality?
