A documentary chronicling the highs and lows of the first century of the National Hockey League, featuring interviews with noteworthy players, coaches and experts.
Social & External
Narrator
The Garbage Pail Kids are 30 years old. Celebrate their gross-out greatness with artist interviews, superfan collections, and more.
The Indians and Yankees, both in a tight race with the White Sox, met at the Polo Grounds on August 16th, 1920. In the fifth inning, Carl Mays threw one of his "submarine" pitches that hit Ray Chapman in the head. Chapman collapsed at the plate. He was rushed to the hospital and died the next day, the only Major League Baseball player ever to be killed in a game. Grief tore through Cleveland and the pivotal moment led to an explosion on and off the field. The Indians, sparked by the addition of young shortstop Joe Sewell, recovered in time to win their first World Series Title. What resulted was a rivalry that would last 100 years.
The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.
Strength Wars: The Movie follows the lives of eight athletes preparing for the ultimate strength competition. The prize? To be labeled the strongest man in the world. Putting two different types of athletes against each other, Strength Wars is the ultimate proving ground to test any given athlete's true strength. Eight athletes. Eight athletic disciplines. One winner. The film highlights eight men from across the globe including Larry Wheels, Terron Beckham, Blaine Sumner, NDO Champ, Big Neechi, Jerry Pritchett, Anabolic Horse, and Leonidas Arkona. Welcome to Strength Wars. May the best man win.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
The University of Tennessee lady volunteer basketball team is followed during their 1996 season.
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
As we run, the layers of responsibility and identity we have gathered in our lives, the father, mother, lawyer, teacher, Manchester United-supporter labels, all fall away, leaving us with the raw human being underneath. With nothing but our own two legs moving us, we begin to get a vague, tingling sense of who, or what, we really are.
Team Storror showcase Parkour on a stage never before seen - the rooftops of Asian megacities. The film follows team Storror on their exploration into what drives them to push the sport to such extremes, and the battles that face them when trying to shoot a feature film totally guerilla. RCA delves into the mental and physical preparation Parkour athletes have to undertake to make impossible 'leaps of faith', possible.
Chelsea finished third in the Premier League last season, albeit a staggering 25 points behind second-placed Liverpool, and started life under a new manager with club legend Frank Lampard taking the reins. With a transfer ban impacting the west Londoners' business, and the Covid-19 pandemic causing unprecedented disruption mid-season, Chelsea finished the domestic season narrowly losing the FA Cup final to Arsenal. Despite the disappointment, a 4th place finish secured on the final day of the Premier League campaign guarantees the Blues will be playing Champions League football in the 2020/21 season.
A prizefight between underdog Steve 'The Celtic Warrior' Collins and champion Chris 'Simply the Best' Eubank grips and encapsulates an entire nation as it emerges from depression towards previously unimagined prosperity.
Professor Saul David uses the BBC archive to chart the history of the world's most destructive war, by chronicling how the story of the battle has changed. As new information has come to light, and forgotten stories are remembered, the history of World War Two evolves. The BBC has followed that evolution, and this programme examines the most important stories, and how our understanding of them has been re-defined since the war ended over 70 years ago.
Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.
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