ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016
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Unknown Role
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.
Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Newly edited version of Luigi Cozzi's 1997 documentary "Il mondo di Dario Argento 3: Il museo degli orrori di Dario Argento" focusing on the museum-part of the "Profondo Rosso" shop.
In this documentary, we go back to the beginning and tell the origin story of Scotty the T. Rex and how it was discovered on that fateful day in 1991. We also showcase the lasting impact the discovery had on the town of Eastend and the Paleo world in Canada. In 2019, Scotty was proclaimed the biggest in the world. Believed to be a female, she measured over 13 m or just over 42.6 feet long and weighed over 8.8 metric tons. Discovered in the dinosaur-rich Frenchman Formation, Scotty's bones have been carefully preserved and are stored at the T. Rex Discovery Centre in Eastend, Saskatchewan.
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
'90s indie-rock band Pavement reunites for their sold-out 2022 tour. But as preparations get underway, surreal tributes emerge: an off-Broadway musical adaptation of their songs, a museum devoted entirely to the band’s legacy, and a shamelessly awards-baiting Hollywood biopic.
A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.
In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
In the Renaissance castle of the Polish count - Jan Potocki - in Lancut, the modern traces of a past glory persevere and become visible again at the tones of Krzysztof Penderecki's music and Brothers Quay's imaginary animation.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Film showing how Sjarel Ex ‘directs’ the Boijmans Van Beuningen Museum. A director must have many faces, as you have to deal with wondrous artists, ancient collectors, business people, fellow directors, staff and many others. Multi-talent Ex seems to have no problem with this at all.
The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.