Mannequins examines the suburb as a state-of-mind through the eyes of a 7th grade teenage girl.
Social & External
A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?
Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.
Maud and Frank are on holiday in Chile. Their relationship is fragile and so is Maud. After many years of trying, it is now time to face the fact that they will never have children. However, Maud is in denial. After a huge fight with Frank she runs off and sets out on a road trip through Chile to get her life back on track.
A teenage stranger is welcomed into a household in a devout Catholic village and gradually reveals his motives and what seem to be magical powers.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
Makoto Tanaka is 40-years-old and has remarried. His wife is Nanae and they care for 2 daughters from Nanae's prior marriage. Makoto tries to have an ordinary family. Nanae then becomes pregnant. Afterwards, things begin to change among the family members.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Milena travels to a remote opal mining community to see her estranged, ill father. Lost and alone, she falls into his bewildering world, where men escape society and share ideals of freedom. Soon, he doesn’t want her to leave. Stuck in time, father and daughter try to mend their fractured bond, but their connection is fragile, like the strange, colourful gems he digs up from the earth.
After years of helping euthanize the terminally ill, a "hospice" worker begins to question the ethics of her job.
Clive, an old film projectionist, fears his profession is becoming obsolete. Holding on to the love and magic of film, he desperately tries to rekindle his relationship with his daughter, Mary, by forging a new one with his granddaughter.
An adult woman (the conductor) on the edge of failing and a pack of teenage girls (the choir) simultaneously experience a supernatural version of coming-of-age. The transformation is equal parts tense and tender. It unravels patiently to the infectious beat of an 80s era heavy metal anthem rearranged as a lamentation.
A little girl reflects on her last summer with her father at his funeral.
15-year-old Marie tries to escape her life. Together with her friend Kati and her clique, she sets off to celebrate New Year's Eve. A lavish party night begins, at the end of which Marie finds her personal happy ending.
A friend sacrifices himself, taking the blame for a murder upon himself. A guilty conscience will end up killing the real culprit.
Three sisters meet to empty out their late father's cluttered apartment. A disturbing and tiresome chore, filled with ghosts from the past. At the end of the day, it is still messy, but hearts and souls have been set free.
Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.
A lonely young boy hides from his troubled life in his secret hideout, until the day he befriends the girl next door.
