An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.
Social & External
Anna
Unknown Role
A stranger enters into a local house to witness their local agenda.
A young boy, Bjørn, discovers on his 17th birthday that his problems with the girls might not be self-inflicted.
In a month, Mi-hyeon visits Weon-kyu, who lives in the provinces. Mi-hyeon, 33, and Weon-kyu, 18. In the inn, the uneasiness of their relationship explodes, but they realize each other's affection.
Part of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.
A remixed narrative that combines two Jake Gyllenhaal films (Donnie Darko and Jarhead) with news footage of former President Barack Obama.
He is conductor on the railcar to Vänersborg. She is a conductor on the Herrljunga train. For two minutes once a week, their trains stop at the same platform.
A housewife's domestic bliss is destroyed when her husband has an affair.
When twenty-year-old Claire finds out she’s pregnant, she knows she wants to have an abortion. With confidence in her choice, support from her family, and good healthcare, it should be straightforward. But the night before the appointment, skin-crawling hallucinations begin to shake her resolve. At the gynecologist’s office, what should be a routine medical experience becomes a waking nightmare with lasting repercussions.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.
Aitana organizes a big Halloween party in her huge apartment in Madrid in the hope that her friend Cleo will come.
Two brothers have to show out of the ruined house they are still living. The older brother has to go to an institution, but does not want this. He wants to prove himself by catching a pike.
In the course of a year, Yahya loses three brothers. To survive the sorrow he has built a hut in the forest. There he can live out his fantasies and meet them again. Yahya gets one last chance to talk to them, touch them, capture them, carry them and be carried by them.
