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Herself - Presenter
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
A group of Sydney-based, Pacific Islander kids start recording drill raps to avoid a life of crime. Two years into their meteoric rise, a police task force shuts down their sold-out national tour due to concerns that the group's music will incite violence.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
G-Funk is the untold story of three childhood friends from East Long Beach who helped commercialize hip hop by developing a sophisticated and melodic new approach – merging Gangsta Rap with elements of Motown, Funk, and R&B.
Documents the history and politics of a Portland institution: The city's strip clubs.
Christopher Wallace, AKA The Notorious B.I.G., remains one of Hip-Hop’s icons, renowned for his distinctive flow and autobiographical lyrics. This documentary celebrates his life via rare behind-the-scenes footage and the testimonies of his closest friends and family.
BERTHA LUTZ: WOMEN AND THE U.N. CHARTER reveals the important and unknown role of a Brazilian biologist and feminist in ensuring that gender issues were addressed at the basis of the United Nations.
Megacities is a documentary about the slums of five different metropolitan cities.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.
Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.
All the legendary women of rock 'n' roll are brought together in this stunning collage of artists and their music. Through a music-driven mix of rare historical footage, music videos, riveting live performances and personal interviews, the lives and times of the greatest women in rock history are revealed.
This documentary follows rapper J. Cole's 2016 HBO concert film feature on the making of his fourth studio album 4 Your Eyez Only. The film Includes musical performances from Cole, as well as stories from low-income residents in cities around the country, such as Baton Rouge, Atlanta, and Cole's hometown of Fayetteville, North Carolina.
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.
Fifty years ago in the Bronx, a new genre of music was born, the product of a people searching for their voice and the opportunity to be heard. For decades, the community was bound by the words of leaders like Martin Luther King and Malcolm X before their assassinations attempted to thwart the messaging. While their lives ended, the impact of their words never would, instead paving the way for others. Soon, athletes and entertainers would step to the microphone and boldly become the sound of a new generation and an inspiration to their people. When the world looked to silence them, the culture found a way to speak louder than ever before. From Muhammad Ali to Public Enemy, Jay-Z to Lebron James and beyond, the impact on sports has been indelible.
After investigating the Gilbert Rozon affair together in October 2017 in the wake of the #MeToo movement, journalists Émilie Perreault and Monic Néron are teaming up to sign this hotly current documentary that examines the failures of the justice system in matters of sexual assault.
On a bet with one of his practical-joking partners, a Los Angeles lawyer responds to an ad from a pretty Chicago magazine writer offering herself as a bridal candidate as an investigative reporting assignment, and then makes another bet that he can keep the relationship platonic for two weeks.
This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.
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