Then a Year

An audio collage of snippets of narration culled from true crime TV shows, juxtaposed against serene Super-8 nature footage.

6-18-67

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Chelsea Girls

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Gondora

A short movie about a guy living in his own world.

Confession

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.

Blockbuster Where a Giant Monster Destroys a Town

In a village of Cuba devastated after trying to imitate the north american suburb model, a sound recorder tries to tape sounds for an incoming blockbuster about a giant monster that destroys a whole town.

Dropout

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Mangúe-Bangúe

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Lulu

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

Spite Your Face

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?

Seven Angels

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal retelling of the Orpheus tale suffused with Ifergan's striking paintings, sculpture and conceptual photography.

Sebastian and Jonas Leaving the Party

"My last image of Jonas."—Ken Jacobs

Chinese Viola

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

Smiles

A short film by John G. Avildsen.

Every Wall is a Door

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Xenoi

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

On the Various Nature of Things

Leonora Carrington or The Ironic Spell

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.

Congo

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

The Five Obstructions

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.