The Misleading Widow

The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

The Rink

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

The Pawnshop

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

City Lights

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

The General

During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.

The Boaster

Angered by his son Dick's boastful ways, which in one incident lead him to lose a business deal, an automobile manufacturer challenges him to complete four difficult missions.

Sherlock Jr.

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Where Was I?

A young man gets engaged to a business competitor's daughter.

Two Girls Wanted

Marianna Miller, who together with her sister Sarah pounds the pavements, looking for a job. After a period of starvation and deprivation Marianna is hired as secretary to duplicitous businessman Philip Hancock.

The Cheerful Fraud

A young man fakes his identity to impress a girl.

Lonesome Ladies

Released on July 3, 1927

Dry Martini

Upon hearing that his daughter Elizabeth, is coming from America to visit him in Paris, wealthy Willoughby Quimby, decides to give up dry martinis and women. However, Elizabeth seeks a wild time and ends up leaving France with her father's drinking buddy, Freddie, and Willoughby goes back to his dry martinis.

So This Is Love

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

Skinner's Dress Suit

Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.

Thrilling Youth

Billy Davis discovers that his father's bakery business is in serious financial trouble and leaves college in order to help his family.

Locas y atrapadas

Five women trapped in an elevator confess their bitter life experiences caused by evil men and society.

He Loved the Ladies

The Peacemaker

Jungle Pals

The human pals of three apes become so attached to them that they take them to their home in the city where the apes prove too destructive to be really appreciative.

L'Âge d'or

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.