It's the final of the giraffe football world championship. The 403 and the 504 are in the final. The referee gives the instructions and the cars rush in pursuit of the giraffe.
Social & External
Unknown Role
Cupid is out for blood...
Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.
Trust fund baby Robert gets himself in hot water with a mysterious American who helps you kill people for a price. Written and Directed by Phillip James Rouse; When The West is Done With You deals with the toxic masculinity that pervades our society and how easily this can be exploited for financial gain.
A short documentary following the last 5 hours of a 59-years-old man, Ahmed before becoming homeless due to the late payments and bureaucracy by the Department for Work and Pensions.
A lonesome car. The wind is whistling. A door of an undefined building opens—is it a holiday bungalow, a shed or a ruin? A woman is standing at the window. The heat of an idle day of holiday, perhaps. The South, a place of longing.
A wife reveals to her younger husband that she is having an affair.
A glimpse inside the head of the world's greatest living Hip-Hop fan. This comedy short shares the exploits of HEAVEN "HIP-HOP" HEADSTRONG who is constantly the victim of 'hip-hop seizures' where he experiences great old time hip-hop classics coming to life in his head, with him as the center of their universe.
In this psychological thriller, we dive into the mind of a middle-aged man named Norman who suffers from schizophrenia. Reality and unreality are in a constant battle within his mind. As the events unfold there is a glimpse of hope underneath his suffering.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Enby, a 20 something human living in East Van has finally found the words that match their identity. Ironically it's been their nickname all along. Enby has come to realize that in order to thrive as their authentic self they must carve out a path that doesn't conform to the traditional gender binary. Now they must negotiate explaining this to their family while simultaneously taking the first steps to building a life in which they feel comfortable in their own skin. Confusion, misunderstandings and awkwardness ensue, what's an Enby to do?
A gay Latino doctor must decide between keeping his low-income clients or taking a job at a private practice for the kids of the mega-rich.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A Native American kid scrambles to charge his dying video game console at a bustling intertribal powwow.
Two female soldiers in a divided United Kingdom settle a score.
This is False Creek, perhaps an insignificant point on a map. Its happenings won't splash across the front page of your morning newspaper, but the daily affairs of this little neighborhood are the main headlines to the people that live here. Their source for these stories is Bill, a wheelchair bound man with paraplegia who devotes his time and ambition to seek out those local chronicles that his neighbors so desire. But with Bill's responsibility to entertain comes certain jealousy from Igor, who thinks he's better suited for the job. And from Doug, who just craves the respect it brings. Today, dressed with a shirt he found in the free-box, and with hope in his heart, Doug sets out to gain that respect.
In these three short films, we examine key issues in the American cultural conversation—incarceration, race, life, death, digital culture, gender—through a distorted lens. They may be fictional, but these dizzying one-take videos do have the ring of truth.
When Silver attempts her first livestream, Red is the ultimate Angry Bird while the adorable Hatchlings get into mischief.
Rhys Day presents NO DIVIDE - a sticky mashup biopic/ videofeast.
The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)