The film approaches in an original way the devastating events of the Athens Polytechnic Uprising in 1973, starting from today.
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Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.
Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.
A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.
Joe thinks he's back in the gladiator days, and finds himself sentenced to be thrown to the Coliseum lions after breaking a string while playing the lyre for King Nero.
South Africa’s diamond king, Jue Gung, neglected his loved ones and decided to return to Hong Kong for the New Year. His family attempts to gain favor with him, in hopes of inheriting some of his wealth.
Many people believe that ghosts are real, and that these beings truly exist - though there is not a single mention of their existence in the sacred pages of the noble Al-Quran. However, the holy texts of the Al-Quran warn us about the negative influences from demons, devils and spirits. In the film “Jin”, we reinvestigate the disturbances that we encounter which are commonly associated to ghosts and such. “Jin” is a classic horror film that revolves around a young married couple: Syafiq and Lily. Syafiq is a business owner who strives to improve his family’s quality of life by buying a house for his beloved wife. Lily, upon seeing a place that is spacious and beautiful, immediately falls in love with it. What this couple doesn’t realize however, is that the house has a history of changing hands often and has stories of serious disturbances.
This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.
Edeltraut celebrating into her birthday. But the next morning is not a picnic.
Jack Waldron performs his stand-up vaudeville act.
Every six months - when anxiety allows him some respite - Filippo goes to the hospital and has his now familiar HIV test. During one of those mornings spent in the waiting room, his eyes furtively meet those of another boy, Simone. While they are waiting for their turn, they keep glancing at each other. It looks like there is a great chemistry between them, and that chemistry slowly turns into a relationship.
Most people want to grow up. But few want to be old. This is because age equals decay, disease and limitations on life. But does it have to be this way? Or can we grow very old and still retain our good health?
Persephone is released from prison after three years. Returning to the neighborhood will present him with a new hell. Without a job, she gets the help of Juana who shelters her in her house and with whom she looks for some changa to survive.
The documentary director's reminiscences of his past protagonists, themes and inspirations as well as meetings with old friends and colleagues.
