A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture
Social & External
Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.
In Pablo Picasso's career, a blue and pink period gets the attention they deserve. It is between 1901 and 1907 that the seeds of all his future work lie, for it is then that Picasso turned his back on his father's teachings and broke free from academic constraints and himself at the beginning with everything that crossed his path. This documentary takes a look at Picasso's various metamorphoses, shaped by a struggle between zest for life and dark thoughts. A world shared by his friend Jaime Sabartés, who wrote it in a collection of memoirs. Art documentary (2018) by Gaëlle Royer.
An installation film that consists of a six-hour-long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett, and Chief Seattle.
Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.
Five female artisans from the Innu, Franco-Quebecois, and Zapotec peoples discuss their work. Their techniques, objects, and textile traditions give rise to stories that overlap. Their clothing reflects on identity and otherness.
Tells the history of skateboard art and its evolution through the decades, as iconic and rebellious skateboarders and artists give firsthand experiences and stories about their art that challenged the establishment.
An account of the life and work of the multidisciplinary Spanish artist Mariano Fortuny Madrazo (1871-1949), textile and fashion designer, set designer, photographer, painter and engraver, known as the Leonardo Da Vinci of the 20th century.
African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.
Short documentary of David Lynch building a lamp.
M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?
Plastic artist Aparicio Arthola talks with his student about the catarsis in his creative process, the loss, death and uncertainty of art life in Nicaragua
How do artists view their own work? How does actor Esko Salminen immerse himself in his roles, how does the writer/director Saara Turunen create a whole new world for the stage, and why does musician PK Keränen pick up his guitar time and time again? Is creativity a conscious or subconscious process, a pleasure or a compulsion? Veikko Aaltonen’s documentary takes us straight into the heart of creativity with artists from different fields and generations. Celebrating the various forms of passion and creative work, the film presents a compelling case for the significance of art.
A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
From the legendary times of Romulus and Remus to the present day, the compelling story of the eternal city's twenty-five centuries of civilization traces the rise of Christianity over paganism through studies of Vatican art treasures.
With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.
The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.
