Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.
Social & External
Narrator (voice)
Self
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
Part of John Nesbitt's Passing Parade series, this short shows how three seemingly unimportant things can affect people. The first is how the number 7 affects a student accused of theft charges. The second segment shows that a person's doodles can reveal personality traits. The final segment shows why certain items are on men's suits, such as lapels.
Herbert Fux talks about his role in the 1970 film "Hexen bis aufs Blut gequält" also known as "Mark of the Devil"
The director documents the events leading to a reunion with her estranged father.
Students from nine nations unite on August 7, 1950 at the Franco-German border near Germanshof, tear down the barriers and remove the border posts and barriers, which they burn in a ceremony. This act is a commitment to Europe and a protest against the arbitrariness of borders between nations.
A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.
The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
There is romance in every corner we turn. In this sequel to the documentary, Old Places, Old Romances takes us on a journey to experience Singapore through the collective voices of ordinary Singaporeans. Through their voices, we hear personal stories from members of the public who shared their anecdotes on radio. Everyday spaces come alive with these special memories, which are bonded forever with these places. Old Romances is a journal of love letters to places that we grew up with.
An undocumented immigrant explores his and his family's immigration trauma while grasping hope through a voicemail.
In Lesvos island an old abandoned dump lies on a mountain with two big craters. The craters are overflown by thousands of life jackets from the refugee waves. A worker is the only inhabitant in this place that resembles an alien planet or a new continent.
Good Morning in Singapore.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
In the 1980s, Andrew McCarthy was part of a young generation of actors who were set to take over Hollywood after a string of successful teen movies. However, when the New York magazine cover story in 1985 dubs them the Brat Pack, stars in the making suddenly find themselves losing control over the trajectory of their careers. Now, almost forty years later, McCarthy looks to reconnect with peers and co-stars so that together they can reflect on their respective legacies.
In a post-apocalyptic future, mankind is color blind. A brilliant scientist suddenly dies, leaving his precious briefcase-filled with a highly-addictive synthetic drug that allows people to see colors again-to Ana, a mere 12-year-old girl. Possession of the briefcase makes her the target of a doctor with wicked plans for the drug, and her only hope to escape his pursuit relies on the aid of the dead scientist's two devoted bodyguards. Together, their epic, perilous journey pivots on a tremendous secret: Ana herself could be the key to salvaging a world in ruins.
On April 6, 1997, a group of six occult-inspired teenagers from Kentucky and a family of picnicking Jehovah's Witnesses were brought together by fate. A few minutes later, the family was dead, and the teenagers were headed for Mexico.
After her husband's death, Madame Clicquot flouts convention by assuming the reins of their wine business, defying her critics and ultimately revolutionizing the champagne industry, establishing her as one of the world's first great businesswomen.
When a domestic counselor's ex-wife attempts to move to the other side of the country with their son and new boyfriend, he decides to do whatever is necessary to keep it from happening.
A turbulent day in a life, painted by air.
Hundreds of refugee children in Sweden, who have fled with their families from extreme trauma, have become afflicted with 'uppgivenhetssyndrom,' or Resignation Syndrome. Facing deportation, they withdraw from the world into a coma-like state, as if frozen, for months, or even years.
Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…
Battle of the Bulge, World War II, 1944. Lieutenant Costa, an infantry company officer who must establish artillery observation posts in a strategic area, has serious doubts about Captain Cooney's leadership ability.
A cinematic mountain-bike film. Featuring some of the sports biggest athletes. The ninth feature from award-winning adventure filmmakers Anthill Films. Return to Earth proves that when we lose track of time, we can make the most of it.
Trailblazing double bassist Orin O'Brien never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her.
Minsk, August 2020. Pasha and Yulia, a young married couple, leave the house at night and find themselves in the midst of peaceful protests. Everyday walk turns into a real hell, in which innocent people are victims of police brutality.
Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.
1947. On a beach, Madeleine, a waitress in a hotel restaurant, mother of a little boy, meets François, a rich and cultivated student. The force of attraction that pushes them towards each other is commensurate with the secrecy that each carries. If we know what Madeleine wants to leave behind by following this young man, we discover over time, what François is desperately trying to flee by mixing Madeleine's fate with his.
Mini-gladiators locked in an epic battle.
An eccentric family portrait set during the May 1968 protests in Paris. A nine-year-old boy stays with his grandparents and uncles while his parents protest. When an illustrious guest seeks refuge in the apartment, the family’s dynamics change.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.