Revisiting the achievements of Sacheen Littlefeather, the first woman of color to utilize the Academy Awards to make a political statement.
Social & External
Self
Self (archive footage)
The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.
For more than 120 years, Mohawk ironworkers have raised America’s modern cityscapes. They are called 'sky walkers' because they walk fearlessly atop steel beams just a foot wide, high above the city. In this nuanced portrait of modern Native Americans' double lives, Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard-drinking Brooklyn lodging houses they call home during the week and their rural reservation, a grueling drive six hours north, where a family weekend awaits. While the men are away working, their wives often struggle to keep their children away from the illegal temptations of an economically deprived area.
On May 16th, 2019, the State of Maine made history by passing LD 944 An Act to Ban Native American Mascots in All Public Schools, the first legislation of its kind in the country. For Maine's tribal nations, the landmark legislation marked an end to a decades long struggle to educate the public of the harms of Native American mascotry. Fighting Indians chronicles the last and most contentious holdout in that struggle, the homogeneously white Skowhegan High School, known for decades as "The Home of the Indians". This is the story of a small New England community forced to reckon with its identity, its sordid history, and future relationship with its indigenous neighbors. It is a story of a small town divided against the backdrop of a nation divided where the "mascot debate" exposes centuries old abuses while asking if reconciliation is possible.
Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.
A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
Three intrepid women battle for Indigenous women's treaty rights.
The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.
Documentary examines the different paths taken by brothers Edward & Asahel Curtis in their photographs of Northwest Indians and Yukon explorers, as well as their influence on Seattle & Washington state
The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.
Waters’ LIFT project, ᏗᏂᏠᎯ ᎤᏪᏯ (Meet Me at the Creek), is the fourth of a quartet of films, and focuses on interconnectedness and Cherokee values through the lifelong fight of Rebecca Jim, a Cherokee Nation citizen and waterkeeper warrior, as she leads the effort to restore Tar Creek in Miami, Oklahoma.
The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.
As part of a six-month investigation, The Times synchronized and mapped thousands of videos and police audio of the U.S. Capitol riot to provide the most complete picture to date of what happened - and why.
A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.
Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.
A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.
One Meter of Democracy (2010) challenged the endurance of viewers, as well as the courage of the artist. In a quasi-democratic process, He Yunchang invited approximately 20 friends to vote in a secret ballot on whether he should have a surgeon cut a one metre incision the length of his body, from collar bone to knee, without anaesthesia. The vote was carried by a narrow majority, with several abstaining. The performance was documented in video and photographs that reveal the emotional cost of witnessing this gruelling event. This work, sometimes also known as ‘Asking the Tiger for its Skin’ was also staged on a symbolic date: 10 October 2010 was the 99th anniversary of the Wuchang uprising and the Xinhai Revolution which led to the fall of the Qing Dynasty and the establishment of the Republic of China. The final image shows the group with sombre, shocked faces.
With exclusive access to the lives of 8 women, ranging in age from 10 to 98, explore powerful testimonials of loss and survival and gain insight into the experience of a modern Indigenous American living on a reservation. Gripping historical accounts and startling timely statistics guide viewers down the path that has led to these present day conditions.
Black Snake Killaz is a feature-length documentary film about the resistance to the Dakota Access Pipeline. This film explores actions taken by water protectors to stop the construction of the oil pipeline and highlights actions taken by law enforcement, military, and corporate mercenaries to quell the months-long protest. Black Snake Killaz timelines the historical events that unfolded in Standing Rock throughout 2016 and brings you the raw experience from many frontline actions to protect the water. Although the Dakota Access Pipeline is completed, the impact of the movement will be long-lasting. As fossil fuel extraction projects continue to impact some of the most vulnerable communities throughout the United States of America, the importance of the water protectors story grows.
In the spring of 2005, Jim Miller, a Native spiritual leader and Vietnam veteran, found himself in a dream riding on horseback across the great plains of South Dakota. Just before he awoke, he arrived at a riverbank in Minnesota and saw 38 of his Dakota ancestors hanged. At the time, Jim knew nothing of the largest mass execution in United States history, ordered by Abraham Lincoln on December 26, 1862. Now, four years later, embracing the message of the dream, Jim and a group of riders retrace the 330-mile route of his dream on horseback from Lower Brule, South Dakota to Mankato, Minnesota to arrive at the hanging site on the anniversary of the execution. This is the story of their journey - the blizzards they endure, the Native and Non-Native communities that house and feed them along the way, and the dark history they are beginning to wipe away.