A troubled high schooler makes a startling discovery at the bottom of an old swimming pool.
Social & External
Voice
Three girls are locked in a basement. They have been down there for a long time. One must die in order for the others to leave.
Aylin, who lives with her mother in Istanbul, is continuing her university education. In the harsh conditions of life, they exist with a new "deceptive" business model that suits the desires of today's city dwellers.
An elderly janitor enters the classroom to clean it and sees an unanswered addition problem on the blackboard. The numbers bring back a memory that deeply affects the old man and perhaps changes his future.
At a nondescript government agency suspended in time, a group of lexicographers are about to settle into their usual routine: the eradication of all unnecessary, objectionable and potentially objectionable words by unanimous vote. Discussions need to be made and decisions reached, by this motley crew, in this gloomy room, for all of humanity, when in walks the new Typist with fresh questions and challenges for the entire group.
Last letter from a serial killer in distopic Istanbul...
Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."
Feeling left out after meeting an almost-famous clarinet player, Sercan decides to go on the search of the famous restaurant Resul’s Place. However, on his journey, he gets to know many things about the restaurant, his friends and himself.
The man sits next to a godmother who he owes, for negotiation. The Godmother gives him one last chance to save his own life.
Güneş lost herself after her family's dying on 1999 Istanbul earthquakes. Probably her hearing and seeing ability is not good too. The chaos of Güneş (The sun) is a metaphor for creation of the solar system.
The dance of nature, sound and time around an old man.
A clown has a children's program, but strange things are happening in this program.
Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.
The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.
Valeria travels in between the real world and her imagination to avoid the horrible truth of her life. Some things are unbearable, and some decisions can be the beginning of the end.
Terrytoons cartoon short
Cold-War propaganda film where the importance of research and development in capitalism is stressed.
Cold War propaganda allegory about farm markets.
A stray dog gives birth to the main character Poo, on a marvellous spring day. The young Poo befriends a Sparrow, who educates him in ways of life. Observing loving sparrow family’s ventures from his shanty throughout autumn and winter, a desire for a beloved arises in Poo’s heart.