A Roscoe 'Fatty' Arbuckle & Mabel Normand comedy short. The film is considered lost.
Social & External
Unknown Role
Returning from France after the war, John Tabor informs Palma May of her brother's death and offers the penniless girl his help, but she refuses it, preferring to work as a cabaret dancer. Later, John and Palma meet again, marry, and go west to manage a lumber camp, as instructed by John's wealthy father, Jarvis Tabor. Displeased by John's choice of wife, the elder Tabor tests the couple with difficult living conditions, which eventually discourage Palma, and she accepts the party invitation of Keith Merwyn, manager of the cabaret where she starred. Meanwhile, Merwyn effects a disturbance among the lumbermen, endangering John.
A short comedy in which two lovers post their letters in a box in a tree. The old man gets wise and sets a snare, by which he catches Fatty's hand. The girl releases the snare and Fatty hooks the old man by the leg.
A lost comedy short starring Mabel Normand in an unconfirmed role.
Released on July 3, 1927
A comedy short that revolves around a poker game, both above and underneath the table. This is considered to be a lost film.
Upon hearing that his daughter Elizabeth, is coming from America to visit him in Paris, wealthy Willoughby Quimby, decides to give up dry martinis and women. However, Elizabeth seeks a wild time and ends up leaving France with her father's drinking buddy, Freddie, and Willoughby goes back to his dry martinis.
When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...
To be a fond and devoted parent, and to be unable to play with the heaven of your heart is indeed a cruel decree. That was the case of Papa Binks, but he outwitted Mrs. Binks and the nurse in a very effective, yet unostentatious manner, while he and the baby had the time of their lives.
"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)
Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.
Mary Sundale is a young woman who spurns her childhood sweetheart to attach herself to a large group of riotous, semi-artistic young people and becomes infatuated with a superficial poet and critic. One night this poet becomes too bold in his advances and is thrashed by the man who has been rejected. On a later night, the group holds a party in a dirigible. The ship crashes and fear grips the revelers. Mary, now disgusted with the group and all it represents, mends her manner of living and plans a future with the man who has always sincerely loved her. A lost film.
When Harlan Carr inherited his Uncle Ebenezer's "Jack-O Lantern" house and too his bride there to live, he found himself the unwilling host of a score of hungry relatives within a week. Soon, strange things began to happen. A black cat made the house his headquarters, unexplained sounds could be heard and a shadowy figure floated through the halls at night.
William Lowry rescues Claudia Royce from a burning building, and upon hearing that her parents are trying to force her to accept millionaire Leland, whom she does not love, he proposes a marriage of convenience to himself. She accepts, and Bill arranges a fake ceremony; but when she falls in love with Davidge, Bill refuses her a "divorce." Later, Bill gets rich in the manufacture of a patented fireman's pole, and when he buys a house for Claudia she realizes her love for him and they are legally married.
Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.
Stan and Ollie are salesmen attempting to sell a washing machine; they fail constantly after several near misses. One would-be sale has them carrying the machine up a large flight of steps, only to find out that a young lady wants them to post a letter for her. The boys later get into an argument knocking off each other's hats, which eventually involves scores of others. A police van eventually carts all those involved away except Stan and Ollie, who afterwards try to find their own headgear amongst the hundreds of others lying on the street.
The story of two feuding Irish immigrant families living in a tenement.
Extra-marital fun and games at a convention of the Honeywell Rubber Company in Atlantic City. President J.B. Honeywell is to choose a new company sales manager. T.R. Kent and George Ellerbe are two salesmen who both want the job. However, they both get into trouble: T.R. is discredited when jealous saleswoman, Arlene Dale, interferes with his attempted seduction of Honeywell's daughter, Claire, and George attempts to seduce Nancy Lorraine. The position of sales manager is bestowed upon a drunken employee as a bribe after he catches J.B. about to visit "Daisy La Rue, Exterminator." Considered a lost film.
James Montgomery Flagg first draws his sketch of the girl, and then tearing it from its frame reveals the real girl lounging in bed with the pouting expression which is her wont. Then we are treated to an exposé of her various moods and selfish acts. For instance, she allows mother to bring breakfast to her in bed, and doesn't even greet her with a smile nor trouble to thank her. And it is nothing for father and mother to sit up until daylight to open the door for her as she returns from a dance. Finally she demands an automobile so that she will not have to bother with taxis, and in order to grant her wish, some of the household furniture has to be sold. In a tantrum she takes her car and goes to her lover, and the closing scene shows her in a home of her own, making life miserable for a husband.
Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.
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