Social & External
Shirley Kaye is the vivacious daughter of Egerton Kaye, president of the great Union Central Railroad. The latter holds his position through his descent from "Pirate" Kaye, who founded the line, rather than through any executive ability of his own. Shirley is queen of the most exclusive Long Island set, and as clever as she is lovely to look at. From the West comes T.J. Magen, a rough but lion-hearted financier, who buys the house next door to the Kayes. Magen cares little for society, and the elaborate household which their wealth forces them to support is a constant worry to his simple and unassuming wife. But the daughter, "Daisy," yearns, with all her heart to break into the society and swim where Shirley Kaye reigns supreme.
In the aptly named Slowtown the townspeople don’t even have sufficient energy to "up and die." Mayor Van Poke, in office for the last 15 years, is so slow he can't get out of his own way. His daughter Dolly is the prettiest girl in town though. The frustrated sexton puts an ad in the paper for a Mayor that will put the Pep in Slowtown. Peter Pep, whose middle name is Speed with a capital S, gets the job thanks to his galvanizing presence. He puts pep into everything and everyone, even into Dolly's heart and they fall in love. Dolly makes a spirited stand for her father, but Peter wins out. In celebration Peter Pep marries Dolly, and they are off on their honeymoon in a cloud of dust.
On her way to rehearsal, chorus-girl Betty stops to rescue a bird from the clutches of a boy with a bean-shooter. Jim Derwent, son of the theater owner, is passing in his car and sees the girl boxing the boy's ears while her aunt looks about for a policeman, and he stops to see what's wrong. He recognizes Betty, and after explanations, Jim drives them to her home, where the bird is cared for. On her arrival at the theater the stage manager bawls her out and fires her, but Jim gets his dad to countermand the manager's decree. The next day Jim calls, more to see Betty than the bird, and a charming romance is soon underway. After a "night out," the leading lady calls in sick and Betty has the chance to take her place. She makes good, and the former leading lady is deposed. But Betty soon has the opportunity to become Jim's own leading lady, and when he promises to love her pets as well, she becomes his bride.
Irene Martin, hoping to find fame as an opera singer, leaves her hometown for New York but ends up a chorus girl. She meets Henry Galt, a wealthy businessman, who asks her out on a date then sends her money the next day. Offended, she demands an apology, but Galt explains he often hires showgirls to entertain prospective clients on a strictly platonic basis. On those terms Irene accepts. Over time Galt falls in love with Irene and when he discovers her family has the impression she has become a fallen woman, marries her.
After graduating from a convent school, Betty travels to New York to visit her relatives, the Hastings. She quickly catches the eye of Jim Denning, a wealthy neighbor who proposes to her, but Betty decides to experience city life before settling down and finds work as a salesclerk. When the floorwalker becomes too familiar, Betty quits and her showgirl friend Maizie Follette helps her get a job as a cabaret dancer, but Betty finds that’s a tough racket too and decides city life on the loose isn’t for her.
Young Frederica Calhoun, naïve to the ways of the world, having grown up on her father’s Montana ranch, is swept off her feet by the arrival of Lord Cecil Grosvenor, a prospective buyer. He opens her eyes to a hitherto undreamed-of world of refinement and he by her unfailing sweet disposition and sunny bubbling good spirits. They are soon engaged, but during a trip to New York to visit his sister Frederica begins to let her doubts get the better of her and disguising herself as a man follows him to the French Ball, but all turns out well in the end.
Itinerant Scot performers: One daughter of a veteran trouper weds a ne'er do well and dies in childbirth.Her spendthrift man goes but later returns to bleed the old man out of remaining savings.Another daughter makes good as a singer.
After losing her job as a waitress, Mary Ryan is hired to work in a traveling show's chorus line by theatrical agent Leon O'Day and his partner. The agents convince a young, wealthy socialite named Seymour to finance a brand-new show. To secure the gig and the funding, they lie to Seymour and tell him that Mary is actually a Russian princess in hiding. The deception completely charms Seymour, and Mary gets her contract. Her fabricated royal status takes off when Seymour's mother invites Mary to tea, catapulting her to society stardom. However, the lie threatens to unravel when Mrs. Seymour—an avid social reformer—takes Mary and Seymour to a night court, where Mary's missing sister Rose is brought in under arrest. When Mary claims her sister, the truth is exposed, leading to a series of complications and dramatic resolutions.
Identical orphaned twins Rosalie (Mollie King) and Susan (Mollie King), are adopted by two aunts and live in separate households. Susan develops as a poor, wholesome farm girl, and Rosalie becomes a wealthy snob. Susan's beau, Ted Harper (Creighton Hale), confuses the girls' identities, but Susan wins his love after preventing Rosalie from eloping with scoundrel "Slick" Harry Ives (Jerome Lawler).
Indiana Stillwater, the daughter of a wealthy American railroad industrialist, marries English nobleman Viscount Canning and travels to England. Her in-laws are somewhat shocked by her casualness in dress and manner, but welcome her into the family anyway. When her parents invite her to a Sunday-night dinner at their hotel, however, her husband--believing it to be inappropriate behavior for the wife of a nobleman--orders her not to go. Complications ensue.
Bryce Gilbert convinces his daughter, Virginia, that she should not elope with a casual boyfriend and sends her to Italy to stay with his fiancée, Duchess Bianca.
A boy named Willie "snaps everything in sight" with his new camera. His targets included: Family members (Ma, Pa, Grandma, Grandpa), family pets (the cat, the old horse, and a St. Bernard), the "scandalous" image of a young man kissing Willie's sister and the Parson and "Miss Old Maid" at a Sunday School picnic.
A 1919 film directed by Sidney Franklin.
Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.
Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
When young Mary Carpenter and wealthy Peter Cooper, both carrying luggage initialed with a large “C,” check into a seaside hotel they end up with each other’s bags. Mary, an astronomy fan, has several volumes by Prof. Carl Von Munsternberg mixed in her bag which Peter takes note of before also slipping in a bestseller, "The Road to Love," before returning it to the desk and retrieving his own bags. Peter, trying to avoid a widow who pursues him but still meet Mary, disguises himself as Prof. Von Munsternberg so that Mary will take notice of him. Gaining her acquaintance all is going well until the real professor shows up! Becoming convinced Peter is the thief who stole the widow’s jewels a madcap chase begins that ends with Mary and Peter united at last.
Comic short reworking of "The Taming of the Shrew".
Rich young Joan Hope is ashamed of how her father made his money--as a chewing gum magnate. While taking a train trip, she meets the Countess of Crex, a member of the Russian nobility--who is, in reality, a jewel thief.
A group of teens hit the road in a stolen driver's ed car, racing against time to help a lovesick high school senior track down his college-freshman girlfriend and win her back.
Stan and Ollie are musicians attempting to travel by train to Pottsville.
Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.
Ali G, Aiii, is a 100 minute compilation of the highlights of Da Ali G Show, plus 30 minutes of unseen and uncensored material that was too hardcore for TV.
No topic is off limits for Jim Jefferies as he muses on stoned koalas, his dad’s vasectomy confusion and choosing between his hair and his sex drive.
Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.
From Dave: Normally I wouldn't show you something so unrefined, I hope you understand.
Facing a world gone sideways, comedy icon Dave Chappelle delivers bold truths and potent punchlines in this no-holds-barred special.
Between scenes from an excruciating date, Jim Jefferies digs into generational differences, his own bad habits and the shifting boundaries in comedy.
An HBO special edited from three performances from Chris Rock's 2008 comedy tour: London (dark suit, dark shirt), Johannesburg (black suit, white shirt) and New York (shiny jacket). Topics include the ongoing presidential campaign, the possibility of a black president, George W. Bush, gas prices, low-paid jobs, ringtones and bottled water, sex, relationships and the correct use of the n-word
When college friends reunite after 15 years over the Christmas holidays, they discover just how easy it is for long-forgotten rivalries and romances to be reignited.
An uptight advertising exec has his entire life in a filofax organizer which mistakenly ends up in the hands of a friendly convict who poses as him.
Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.
Dave Chappelle takes on gun culture, the opioid crisis and the tidal wave of celebrity scandals in this defiant stand-up special.
A hypochondriac vacations in the tropics for the fresh air - and finds himself in the middle of a revolution instead.
Smart, crude, and in-your-face, Australian comic/actor/equal-opportunity-offender Jim Jefferies is not for the faint of heart. Whether he is lampooning gun control, auditioning disabled actors, or over-sharing sexual experiences, the FXX "Legit" star proves nothing is out of bounds and even less, off limits. Filmed during the Boston run of his recent stand up tour.
It's Bad For Ya, Carlin's Emmy nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinations of modern language and the decrepit state of the American culture.
Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
The roguishly charming and endlessly troublesome Fletch becomes the prime suspect in a murder case while searching for a stolen art collection. The only way to prove his innocence? Find out which of the long list of suspects is the culprit - from the eccentric art dealer and a missing playboy to a crazy neighbor and Fletch’s Italian girlfriend. Crime, in fact, has never been this disorganized.
In his first special in seven years, Ricky Gervais slings his trademark snark at celebrity, mortality and a society that takes everything personally.
