Jon Rafman's short features computer-generated renders of the Twin Towers and a narration from Charles Baudelaire's "Le Guignon."
Social & External
Meet 5000 space aliens in 5000 seconds in this bonkers animated film.
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.
The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.
Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.
Hans Richter, noted for his abstract shorts, has everyday objects rebelling against their daily routine.
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
Animation by japanese artist Keiichi Tanaami for John Lennon's song "Oh Yoko!" -- the song was released in 1971, and the animation made in 1973. Keiichi Tanaami (田名網 敬一, Tanaami Keiichi, born in 1936 in Tokyo) was one of the leading pop artists of postwar Japan, and was active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist until his death in 2024.
A married woman has an affair. She gets pregnant by her lover and they live serenely together, although war is thundering towards their city. Despite lineups, traffic jams and shortages they manage to live a peaceful life with their little girl.
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.
An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
Mr. X buys a boat and inadvertantly enters the water skiing race. With Junior driving, with no experience, he's a bit out of his league.
When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.
GrandPat travels through alternate dimensions and timelines to get home.
Ordered to teach a martial arts class of rambunctious bunny kittens, Po tells stories of each of the Furious Five's pasts.
When the mystery-solving musician Foxxy Love notices she and her fellow housemates can curse without being bleeped—something they've never been able to do before—she realizes their show has been canceled. Determined to get back on the air, the gang travels to Make-A-Point-Land in order to get a point (and get back on the air).
Buster Moon dreams up a star-studded spectacle set to Michael Jackson's "Thriller" in this animated short featuring characters from the hit "Sing" films.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.
The maniacal baby of the Griffin family, Stewie, meets his future self. In doing this he discovers that his future image is not what he has anticipated because of a near death experience.
Bugs Bunny single handedly takes on the “Gas-House Gorillas,” a baseball team of hulking, cigar-chomping bullies.
Toby Tortoise is back, and this time he and Max Hare box instead of racing.
Plankton's tangled love story with his sentient computer wife goes sideways when she takes a stand — and decides to destroy the world without him.
Franklin is new to town and hoping to make friends, but his usual tactics don't work on the Peanuts gang. When the Soap Box Derby arrives, he's sure it's a chance to impress new pals and teams up with the only other unpartnered kid: Charlie Brown.
After a high school lab experiment goes horribly wrong, Mordecai and Rigby must go back in time to battle an evil volleyball coach in order to save the universe — and their friendship.
Follows Gia, who has to deal with the challenges and insecurities of "adulting" during her 21st birthday.
Cobb, Arthur and Nash are enlisted by Cobol Engineering.