A sequence of 10 images presented in 10 groups of 400 alternating frames. The primary image of a bird is gradually disfigured by the successive introduction of competing imagery, yet the overall field seems to have its own life.
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A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Daz finds an SD card in the middle of the woods.
From different perspectives, the viewer sees the appearance of the newly built Reichsautobahnen: Pictures from the lowlands, the Swabian Alb and many other places.
In the everyday life of the bus, the world still hopes to find warmth.
A compilation of light cones of electric torches.
A down on his luck Brooklyn native parlays his Yale education into a job as a professional poker player.
Since the Russian invasion of Ukraine, many Russians have started having dreams about their president and sharing them on social media. More than a thousand dreams about Putin have now been recorded and posted on public platforms. In Dreams About Putin, a selection of these dreams have been brought to life using Unreal Engine, a 3D graphics program for creating scenes for computer games. In this exciting experiment with form, the animations are complemented by rare archival footage of the Russian president. The dreams are related by a narrator, and their “translation” into 3D scenes is not literal; likewise, the archival footage has been lightly edited. The result is sometimes dryly comic, sometimes absurdist, sometimes disturbing, and sometimes even hopeful. A series of bizarre but therefore oddly familiar nightmares as a vision of Putin’s Russia.
The story of a simple pair of shoes, and their owner.
A documentary film which portrays the dramatic chain of events leading to the invasion of the Arab armies to Israel after the Israeli declaration of independence. The film includes original pictures from the war filmed by both sides, and documentation of the leaders of the Arab forces and the Yishuv in the crucial moments of Israel's "War of Independence".
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Magnetic Scramble is the first video work by Toshio Matsumoto. Here, the artist manipulates television images (of student demonstrations against the U.S.-Japan Security Pact) by holding a magnetic coil next to the monitor. Matsumoto later incorporated this piece into a scene of his film Funeral Parade of Roses (1969).
Single channel video installation which traces the absence and explores the history of a demolished building at 775 King St. West in Toronto. The site was home to many businesses over its 110 year history, including factories, offices and for the past 30 years Paul Wolf Electric and Lighting Supply.
A young couple is struck with tragedy when Catalina suddenly dies of tuberculosis, leading a depressed Rosauro to commit a disturbing act. Based on the song by Julio Jaramillo.
Tommy Tucker gets hit by a car and ends up in safety heaven. Or does he?
A short, pixelated film by Nosrat Karimi that was made for a 1968 foreign film festival for 59 second films about the filmmakers' country and society. Decrescendo was not approved by the government of the time due to the character of the manager resemblance to Mohmmad Reza Shah.
What happens when a little girl decides to save the dinner she refused to eat?
A story about a dysfunctional father and son who are still coping with a loss, the other with a highly-stigmatized illness who are compelled to talk to one another to make ends meet and heal the wounds of their relationship.
Zibilla, a young zebra adopted by a couple of horses, is the laughing stock of her new schoolmates. She ends up hating her stripes. When she has her stuffed toy stolen, she takes off without a second thought to look for it and that is where her adventures begin...
To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire one rare VHS tape, they discover more found footage than they had bargained for.
On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
Andrew Dominik's One More Time With Feeling is a remarkable black and white documentary which chronicles the creation of Nick Cave & The Bad Seeds' album Skeleton Tree. Originally a performance based concept, the film evolved into something much more significant as Dominik delved into the tragic backdrop of the writing and recording of the album. The result is stark, fragile and raw, and a true testament to an artist trying to find his way through the darkness. It documents the writing, recording and performing of Nick Cave & the Bad Seeds’ sixteenth studio album, Skeleton Tree.
Two high school filmmakers decide to create the illusion of a haunting on an unsuspecting neighbor.
Mater, the rusty but trusty tow truck from Cars, spends a day in Radiator Springs playing scary pranks on his fellow townsfolk. That night at Flo's V8 Café, the Sheriff tells the story of the legend of the Ghostlight, and as everyone races home Mater is left alone primed for a good old-fashioned scare.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
After a young, middle-class couple moves into what seems like a typical suburban house, they become increasingly disturbed by a presence that may or may not be demonic, but is certainly the most active in the middle of the night.
Mater finds a small UFO called Mator and they have a night out. Later, when Mator is captured by military forces, Mater sneaks up and saves him with the help of Lightning McQueen and the UFO's mother.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
A mother bird tries to teach her little one how to find food by herself. In the process, she encounters a traumatic experience that she must overcome in order to survive.
A thirsty teenager's home video leads to a series of horrifying revelations, harkening back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium.
A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.
The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.