A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.
Social & External
The people behind it
Smaïl Lakhdar-Hamina
Young Man
Tania Timgad
Young Woman
Hélène Tossy
Mother
Still it's really tall. Still it's really floundering/falling/fading.
Slowed, stowed, achingly retold.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Within a single space, the director treats the sorrows of two people married to each other.
A teenager decides to shut himself off from the world around him after receiving bad news.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Corpus II Home presents a fatalist visualisation of the psychological effects of the world coming to a standstill. The mind becomes hyper aware of itself, every thought, every movement is methodically registered and evaluated, creating a suffocating environment that will have brutal consequences.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.
There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”
A short experimental cutup film by Jon Moritsugu.
A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A girl gets in a car accident and wanders through the woods, encountering all kinds of nightmarish things.
A visual daydream of a late afternoon swim in the waters of a summer in Sicily.
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .
CRISP., wherein a jealous man's attempt to steal a delicious apple crisp causes reality to break down and begins a chain of events leading to an endless cyclical loop of jealousy and theft.
With the aid of a fellow Auschwitz survivor and a hand-written letter, an elderly man with dementia goes in search of the person responsible for the death of his family.
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.
An aging ex-boxer gangster working as muscle for a Boston crime boss receives an upsetting diagnosis. Despite a faltering memory, he attempts to rectify the sins of his past and reconnect with his estranged children. He is determined to leave a positive legacy for his grandson, but the criminal underworld isn’t done with him and won’t loosen their grip willingly.
A woman recovering from a nervous breakdown tries to convince her husband and and the local London police that she has witnessed a murder in the abandoned house next door.
A stroke of good luck turns lethal for Sam Phelan and his wife Leslie when they are faced with a life-changing decision that brings strange and sinister Pyke Kubic to their doorstep. As Pyke leads Sam and Leslie on a tumultuous adventure through the streets of Chicago, each are pulled deeper and deeper into a desperate spiral of deception and violence – all in the name of money.
Master car thieves square off against French gangsters in the South of France with money, women and lives all on the line.
Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.
An undocumented Filipina immigrant lands a job as a careworker for a seemingly terminal old man, securing a better life for her and her daughter. But a dark discovery threatens to destroy everything she’s strived for and holds dear.
Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.
When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d'Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.
When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.
A homicide detective teams up with a criminal profiler to catch a serial killer whose crimes are inspired by the children's game, Hangman.
Single father and former cop Tom Cutler has an unusual occupation: he cleans up death scenes. But when he's called in to sterilize a wealthy suburban residence after a brutal shooting, Cutler is shocked to learn he may have unknowingly erased crucial evidence, entangling himself in a dirty criminal cover-up.
After fleeing his psychotic father, a young teen and his mom seek refuge in a remote farmhouse, only to face a pack of ferocious dogs and the sinister spirits that haunt the property.
A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.
When a sudden tragedy uproots the lives of two women and their families, they begin to question the relationships they once held so dear.
In late 1940s Los Angeles, Easy Rawlins is an unemployed black World War II veteran with few job prospects. At a bar, Easy meets DeWitt Albright, a mysterious white man looking for someone to investigate the disappearance of a missing white woman named Daphne Monet, who he suspects is hiding out in one of the city's black jazz clubs. Strapped for money and facing house payments, Easy takes the job, but soon finds himself in over his head.
Maud Bailey, a brilliant English academic, is researching the life and work of poet Christabel La Motte. Roland Michell is an American scholar in London to study Randolph Henry Ash, now best-known for a collection of poems dedicated to his wife. When Maud and Roland discover a cache of love letters that appear to be from Ash to La Motte, they follow a trail of clues across England, echoing the journey of the couple over a century earlier.
Martha Travis is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows...
A routine investigation of a shocking murder takes a bizarre twist when the killer contacts the reporter and appoints him his personal spokesman. As the killer's calls and clues increase, the reporter is lured into a deadly trap.