Social & External
Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.
Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
A Documentary film exploring the history and evolution of vinyl records. Featuring Interviews with the experts, musicians and fans alike, 'Stuck in the groove' takes you on a journey of vinyl-mania, music and nostalgia.
Matt Johnson of the English band THE THE, has remained silent as a singer / songwriter for years. Now he attempts to challenge contemporary politics through his own 12 hour live radio broadcast. But sudden grief and a request to write a new song reveals old demons of inertia and bereavement.
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
She was signed in 2006, released her debut album in 2008, and the follow-up in 2011. And the rest, as they say, is history. But Adele Adkins' history is one that deserves investigation, analysis, documentation and review. Using rare archival interviews (during which she speaks candidly about her life and career), live and studio performance footage, and contributions from collaborators and industry insiders, ADELE: THE ONLY WAY IS UP reveals just what it is that has transformed this seemingly ordinary girl from Croydon into the most successful musical icon of the third millennium.
Adele has recieved iconic status from fans and industry proffesionals alike. With sold out concerts around the world and multiple awards to her name Adele came from humble beginnings and has gone on to be one of the biggest Artists in the world.
This revealing documentary from director Philippe Kohly examines the storied life of renowned soprano Maria Callas, from her troubled childhood in New York City to her scandal-laden but triumphant international career in opera. Featuring archival interviews with Callas herself and footage of contemporaries such as her lover Aristotle Onassis, this celebration of "La Divina" pays tribute to her enduring legacy some three decades after her death.
Tinder. Woman looking for a man, man looking for a woman. It could have been so simple if she wasn't Israeli and the "man nearby" wasn't behind the wall, in the East Bank of the Jordan River. Israeli filmmaker Ines Moldavski meets Palestinian men she met on the Internet to get them to talk about their need for love and desire to possess.
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.
In a very traditional and popular setting, this documentary follow Willie Lamothe who becomes a national icone aftera 25 years career. The film follows the stars through is retelling of his career, his private life and his shows. It also follows testimonies from his fans and friends. Finaly, it his full of Willie Lamothe's music.
Documentary of the legendary 1985 music festival in Brazil.
An animated conversation with Jad Abumrad about sound, music, and the function of music.
An intimate portrait of Georges Brassens, giant of French song.
“In Gaza you have to get there in the evening, in spring, lock yourself in your room and from there listen to the sounds coming in through the open window.... It's 2018. I am 25 years old and a foreign traveler. I meet young Palestinians my age..”
Mark Radcliffe presents a countdown of the ten songs which have earned the most money of all time - ten classic songs each with an extraordinary story behind them. Radcliffe lifts the lid on how music royalties work and reveals the biggest winners and losers in the history of popular music.
The story of how a small group of teenagers created a skate scene from scratch in a place where you can't even buy a skateboard, whilst facing the challenges of living under military occupation.
The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.
