Bag

袋 Fukuro (Japanese for "bag" or "sack") is a 3-minute short film from 2001. It features Pyramid Head and a Lying Figure from Silent Hill 2, the Fukuro Lady, and many monsters from early sketches for Silent Hill 2. The film contains disturbing, surreal imagery.

Mushroom

Ki-No-Ko is a surreal five-minute short film published on Art of Silent Hill, Lost Memories: The Art & Music of Silent Hill and The Silent Hill Experience.

INFRASTRATA

Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.

The Elephant Graveyard

A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.

Interrogation

A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.

Cyclops

The strange transformation of a surveillance camera.

The Mouth

The blinking sun on the surface of the river becomes the ranting mouth of god and utters nova scotia into existence.

Pyre

Exploring helplessness, Pyre is an experimental short film which personifies death as a ghoul in a dress, drawing closer and closer until striking.

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M・Y・F・A・C・E

Abstract horror short about a girl's face.

A Man Walking Backwards and Forwards

Dinosaur Farm

A political assassination leads to division and chaos.

Moving On

Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.

Sunfall

A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.

Submission

A man desperately struggles against a powerful, unseen force.

Mildew

'Elise' comes to terms with a 'being' that possesses their house, discovering and accepting why they have allowed this presence to linger while overcoming the issues it has imposed on their life.

Leda + Swans

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Torgo Kills / Torgo Lives

Upset with where his life has gone, Torgo seeks to make some changes

Liminal II

In the smallest hour, a Crepuscus Tree beckons another unknowing wanderer.

Put on a Face

Students walk into a photography studio to have their photograph taken, and put on a smile for the picture. But as soon as the camera flashes, it reveals their true nature...