A short film spelling Tokyo in hiragana.
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Meet 5000 space aliens in 5000 seconds in this bonkers animated film.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A four-dimensional short anime will start at the very beginning of Shibuya Crossing, that is, 10,000 years in the past. The anime is part of a collaborative project helmed by Yoshitoshi Shinomiya. It features a hybrid of animation and live-action. The short was screened on Shibuya's Crossing screens and a YouTube-friendly version was posted as well. (Source: ANN)
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton
The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.
In the 1920s, Man Ray directed four films which, although largely unknown by the general public, made him into a major figure in avant-garde cinema. His films were to be as radical as his images or objects. Included: Le Retour à la Raison, Les Mystères du Château du Dé, Emak-Bakia, L'étoile de Mer and collected shorts.
A girl who was floating freely in the water accidentally gets her skin cut by a sailboat passing by. The story is derived from personal experience, recreating the senses of women in love and the unique inner sense of time through creation.
The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.
Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production "Spaghetti Ramen" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
Dissonant selves dancing around opposition and harmony.
Presenting a woman, a female statue, a breathing tree, and a fish out of water, an unorthodox love story unfolds with the growth of limbs and expressive gestures. Accompanied by desire discovered and lost, erotic femininity disfigured in a domestic space, and physical forms fragmented, two women steep in their reticent intimacy.
Naruto faces off against his old pupil Konohamaru in a tournament during the chuunin entrance exams.
A hand drawn animated short by Studio Ghibli.
During summer vacation Nobita picks up a small rocket containing Papi, a palm-sized alien president escaping rebels on his home planet Pirika.
Pikachu and the gang learn responsibility, teamwork as well as cooperation during their Summer vacation at Pokemon Island.
Nobita and his friends find a portal to a mysterious resort filled with metal buildings. They soon discover that the person who opened the portal for them has an ulterior motive.
On an idyllic beach in the Pacific Northwest, curiosity gets the better of a young raccoon whose frustrated parent attempts to keep them both safe.
Everyone's favorite TV superhero Action Mask shows up in Kasukabe, and he's trying to get something from Shin-chan -- but what could it be?
It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.
Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.
The toys throw Ken and Barbie a Hawaiian vacation in Bonnie's room.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
While looking for her cat, a young woman and some kids find an abandoned building where strange things happen and the rules of physics don't always apply. Part of the Animatrix collection of animated shorts set in the Matrix universe.
When the mysterious Shiriri turns his parents into children, Shin-chan must trek across Japan to help return them to adult form.
Doraemon, Nobita and his friends go to find Utopia, a perfect land in the sky where everyone lives with happiness, using an airship having a time warp function.
A routine tow lands Mater in Tokyo, where he is challenged to a drift-style race against a nefarious gang leader and his posse of ninjas. With the help of his friend, 'Dragon' Lightning McQueen, and some special modifications, Mater attempts to drift to victory and become Tow-ke-O Mater, King of all Drifters.
One day, Pikachu and its friends are walking along when they suddenly fall through a Diglett hole and into Pokémon Valley, a secret location that no one knows about. Pikachu and its buddies tell the Pokémon that they could use some help looking for Togepi, who fell through the hole first. The group sets off and eventually finds Togepi in the Exeggcute nest—but one of the Exeggcute is missing. That leads the group on another hunt; this time, though, Pikachu and its friends come back to the nest empty-handed. That’s when a storm begins to brew, filling Pokémon valley with roaring thunder and gusts of wind that almost blow the friends—and the Exeggcute nest—away! Are the friends going to be able to keep the nest safe and reunite the Exeggcute?
Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.
Naruto and his friends must get back a jug of stolen holy water from a band of higher class ninjas.
Terry is fighting abroad when a boy named Tony, who wants to be Terry's student, follows him despite his mother and Terry's wishes. When Terry Bogard is defeated by a foe more powerful than he's ever seen before, Terry falls into depression and turns to the bottle. While his friends go after this new foe, Tony must restore Terry's faith... and once he realizes that only he can defeat this ruthless fiend.
The Noharas must survive a hoard of man-eating killer cacti after Shin-chan's father relocates the family to Mexico for work.
