The Navel of the World

“Te Pito o Te Henua” (The Navel of the World) tells the story of the community behind Rapa Nui’s largest and most colorful annual Indigenous celebration, the Tāpati Rapa Nui Festival. Honoring ancient rites and competitions, Rapa Nui families participate in nine days of athletic feats, cultural demonstrations and ceremonies paying respect to the land, water and other natural beings of the island. They also crown a Queen to represent her people for a year throughout Polynesia and on the world stage. The film traces the journey of 19-year-old candidate Vaitiare and her family as they join work to earn her the crown and represent this small but well-known island as its people fight for increased autonomy and recognition on the world stage. Through intimate character portraits, behind-the-curtain moments and heartfelt musical performances, “Te Pito o Te Henua” reveals the true meaning of Tāpati and the deep connections the Rapa Nui share with their lands and waters.

Stories Are in Our Bones

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

White Walls Say Nothing

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Vistas: Red Ochre

Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.

The Song of the Butterflies

Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.

Fly on the Wall: Canada’s Residential School Legacy

For more than 100 years, thousands of Indigenous children died while in Canada’s residential school system. Pacheedaht Elder Bill Jones survived, but he, like many others, experienced years of beatings and sexual abuse. The scandal has finally brought the Indigenous rights struggle into focus, none more so than at Fairy Creek, an area of forest on First Nations land that protesters are desperately trying to prevent from falling into the hands of logging companies.

Save the Fairy Creek Watershed!

"A short documentary amplifying what I witnessed this past long weekend. I hope this film helps spread the word about the importance of the Fairy Creek Watershed. Ancient old growth trees, a watershed connecting waterways and endangered species are all on the chopping block at the Fairy Creek Blockade as RCMP have moved in to arrest peaceful protestors so Teal-Jones can log the watershed."

ARISE for the Ancient Forests | Save Fairy Creek

A film initially was released alongside an injunction granted from the BC court to Teal Jones, enabling them to forcibly remove forest protectors who have been sacrificing their worlds at home to stand and defend some of the last of the 2.7% remaining old-growth on Vancouver Island. In collaboration with filmmaker, Ian MacKenzie, the short-film depicts how much we truly depend on these Ancient Forests for our survival as well.

Inside the Fight to Save an Ancient Forest (and the Secrets it Holds)

The ancient forests of the Pacific Northwest are home to giant trees and many secrets, which science is just beginning to understand. But these forests are at risk of disappearing. In British Columbia on First Nation territory, a small band of forest defenders are risking life and liberty to protect some of the last remaining ancient forests.

Mundurukuyü – The Forest of the Fish Women

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Natsik Hunting

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

My Grandmother’s Tipi

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Closeness to the Land

In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.

Against the Tide

Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.

Tz'üntz'ü

The Prison Within

Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."

Still We Rise

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Baraka

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Nuuca

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

Our Dear Sisters

Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.