40 years old Vicente lives with his mother who wants him to get married with his boring girlfriend but he likes someone else more.
Social & External
Vicente
Doña Berta
Cristina
Unknown Role
Chronicle of life in a typical Colombian village where residents and visitors alike are induced by the soporific climate to lead lives of indolence. Not even the sight of cadavers floating in the river can shock them.
When an unattractive man gets engaged to a beautiful woman, their families oppose the union and the priest set to perform the ceremony is kidnapped.
The children of a large landowner study in the city. The young girl travels on vacation to the countryside and there she falls in love with the finca manager, a relationship that the father rudely opposes. The brother leads a life of a bohemian university student until he meets a humble and beautiful worker who makes him know true love. The father does not admit this romance either: they are difficult loves whose outcome will be happy.
Joe Arroyo and his musicians will embark together on this psychedelic journey through various hotel rooms. Rebelión is the portrait of a genius in the depths of his intimacy, the throb of a soul in love and tormented by that great love: music. It is a timeless journey through his life, passing through the dark and lonely place where the creative act happens, where his talent is on the surface and his emotions are free, as well as his whims. The story takes place in hotel rooms, overflowing with chaos and the genius of Joe. A hotel room that are many and that, in turn, contains the agony of the genius who sabotages everything he loves to remain free.
Mariana is a systematic girl. She studies English and German at a language school. She works in a call center as many hours as possible and saves everything she earns. To entertain herself a little, she looks for men in bars with whom she only plans to spend one night. Why compromise if she just wants to travel? That is Mariana's plan, to go away and what better than to an island in the Mediterranean. But Gabriel, an unlikely boy who keeps getting into her life with bad jokes and uncomfortable questions, forces her to look at herself and wonder what she wants to run away from.
In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?
Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.
Maria del Rosario Duran, a human rights attorney investigating the participation of a top ranking military man in the disappearance of a group of young civilians, is mysteriously murdered. Detective Jorge Salcedo who was working with her on the case, gives himself to the task of discovering who's behind this crime, at risk of becoming the next victim.
A forty-year-old poet wakes up handcuffed to a hospital bed. Accused of his mother's murder, he claims it was an act of love: a plan to aid his mother's death and end his own life at the same time.
A remote and lonely hotel holds a dark secret. La Patasola, a vengeful being marked by the loss of her son and her leg, seeks to punish the unfaithful. Rodrigo, an investigator, and Susana, his young lover, arrive at the hotel under the pretext of investigating an unsolved disappearance, but they will soon discover that they are locked in a deadly trap. La Patasola, thirsty for revenge, will unleash all her fury against the infidels and make them pay the price for their deceit, transforming their visit into a nightmare with no escape.
El Flaco returns to Medellin after hiding for some months in London because he was threaten. Things did not change much.
Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.
A drama set in the black communities of Colombia's Pacific coast, where a man looking to flee the country by boat encounters a local fisherman.
By applying all his knowledge in electricity and electronics, Raúl Tréllez, a bum who lives in the downtown streets of Bogotá, struggles to control the time of a red light so that jugglers, cripples and other homeless people can achieve longer shows in the red light corner.
ATENTAMENTE is a film that, through the sensation of the time passing by and the presence of the death that wanders into a nursing home, allows us to feel the life through the illusion that love brings along. Libardo and Alba, a couple of elders who met each other at the nursing home where they live, they fall for, they become boyfriends and start to struggle in order to find fifty thousand pesos to rent a room for one night at a hotel so they can have a privacy moment, since at the nursing home where they live is not possible to have that. While struggling they must face each other, face their fears, their limitations, their pains, their time as well as their fragility so they can construct that moment in which they meet love. A struggle that seems to be easy, but for them is an odyssey against time, against their limitations and their own ghosts.
From the memory, two women reconstruct their transformation in lesbian sexuality. From objectification to the freedom to love other women's bodies.
This documentary unravels the surprising history that links Barranquilla with France, from the arrival of its first migrants to the palpable influence they left in the gastronomy, fashion and elegant urban landscape marked by Art Deco. Through his encounters with experts and witnesses, Julian explores the French legacy in the delicate art of stained glass and in the foundations of local education, culminating in the vibrant presence of institutions such as the Alliance Française, demonstrating that this historical connection is still alive and enriching Barranquilla's present.
Ana Rosa was a pianist and the music was the only thing that went through the wall of silence. She was never talked about in the family, neither my father, nor my uncle psychiatrist, his children. But I was told many times that I looked like her.
