Social & External
Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.
An exploration of how the once taboo art form has become socially acceptable.
In late 1980s Los Angeles, Jacki and her all-girl punk rock band, Clam Dandy, are trying to make it big. On the verge of turning 40, Jacki decides that if the band's one last shot at the big time is unsuccessful, she will give up her dreams of stardom.
Documentary based on interviews during the Birmingham Tattoo Convention in the early '90s.
Stories of people who regard augmenting their bodies as a way of life, whether for artistic reasons or out of pure vanity.
The Suburbans, a one-hit-wonder new wave band from the '80s, reunite at their bassist's wedding, where a promising young record executive sees the ensemble perform. When she encourages them to launch a revival, the group must weigh their dreams of fame and fortune against the reality of their relatively quiet domestic lives.
D'Inked is a documentary about the development of laser tattoo removal technology and how it has changed the culture of tattoos. The film follows a man named Jake on his 5-year journey through the process of removing a full color half sleeve tattoo. The film also features interviews with prominent figures in the tattoo and laser removal communities discussing the technological, physical and ethical realities of removing what has always been considered a definition of permanent.
A look into the world of body piercing and suspension and the people who do it.
A bold reveal of a rose tattoo opens this 1980 documentary on tattooing in New Zealand. The potted history includes visits to tattoo parlours on K' Road and Hastings, and the studios of industry legends Steve Johnson and Roger Ingerton. Tattooists discuss public stigma, people's reasons for getting inked, and popular designs: sailors, serpents, swallows and tā moko. Made for documentary slot Contact, Skin Pics chronicles a time when "folk art has become high art".
Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.
Rooster Teeth’s Geoff Ramsey explores the subculture of tattoos and takes a crash course from a master tattoo artist.
First-time feature filmmakers Heretu Tetahiotupa, Christophe Cordier delve into the ritual art of Marquesan tattoo, sharing its cultural and historical significance by reenacting the past and challenging the present.
A collection of footage and interviews with strange people and their exploration into the unusual and extreme side of body modification.
Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.
A family story that reveals the fate of the Armenian women driven out of Ottoman Turkey during the First World War. The story of "Grandma's Tattoos" is a personal film about what happened to many Armenian women during the genocide In 1919, just at the end of World War I, the Allied forces reclaimed 90,819 Armenian young girls and children who, during the war years, were forced to become prostitutes to survive, or had given birth to children after forced or arranged marriages or rape. Many of these women were tattooed as a sign that they belonged to abductor. European and American missionaries organized help and saved thousands of refugees who were later scattered all over the world to places like Beirut, Marseille, and Fresno.Director Suzanne Khardalian
Narrated by JIM ROSE of JIM ROSE CIRCUS SIDESHOW fame, this video compiles snippets of some of the best parts of extreme fare such as the WHISKEY 911 videos (skating), CRUSTY DEMONS (dirt biking), and BLACK FLYS (surfing) and melds them together in a non-stop barrage of outlandish stunts and extreme body modification (check out the guy with the skull plate!) See CHRISTIAN FLETCHER nail a guy's scrotum to a wooden board; see SHAUN PALMER jump his snowboard over a moving freight train! Tattoos, Body Modification, Surfing, Skating, Bikes. Interesting look at counter culture, Beware though, not for the squeamish.
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story. Drako Oho Zaraharzar can remember modeling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottoes delivered to him whilst in a coma.
A visit with a master of the Oldest Art In The World: tattooing. Disabled by arthritis since the age of four, confined to a wheelchair, his growth stunted, Stoney St. Clair joined the circus at 15 as a sword swallower. A year later he took up tattooing, and traveled with circuses and carnivals for fifty years practicing his craft. As we watch him at work, we see the determination which led Stoney to use his crippled hands in an art where mistakes are permanent, and we realize Stoney has overcome his handicap to heal himself and others with the magic of symbols. The film ends with a visit by New Age tattoo master Don Ed Hardy, who receives a permanent souvenir by Old School tattoo master Stoney.
