Social & External
The story of the Udege tribe, lost for centuries and on the verge of extinction, the most dangerous footage of hunting for bears and wild boars, as well as local rituals.
Filmed at his Maine studio nestled in New England’s scenic landscapes, legendary artist Alex Katz reflects on his relationship to light and the sensations that his painting evokes.
“A Significant Name” tells the story of Banban’s Chinese name. Born in Texas to Taiwanese immigrant parents, Banban was given an identifiable female American name - now their dead name - as a way to assimilate into western culture. But as their sense of who they are evolves, so does their name.
Three paranormal investigators enter what is said to be the most haunted location in the Midwest. Over the last 100 years, the property has housed thousands of deaths, murder, suicide, and countless acts of foul play.
From South London spivs to the upper reaches of the 1960s society, this extraordinary true story reveals who stole the World Cup trophy in the lead-up to England's triumph in 1966.
Documentary about the film pioneer Guido Seeber.
After a ten year sabbatical, legendary Grime filmmaker; Roony 'Risky Roadz' Keefe, makes a return to the world of documentary to uncover the business infrastructure of the fast emerging music scene in Birmingham, and, how that is being taken to a global platform.
The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.
Vanessa, Pierre, and Anne-Lise belong to the lower middle class. In 2018, they joined the "yellow vest" movement and became friends at the roundabouts. They share with us their hopes, fears, and desire to transform society.
Following a day in the life of Sneinton Market in Nottingham prior to a planned redevelopment.
In the summer of 1939, people enjoyed the good weather, ignoring politics and pessimistic predictions. Images of everyday life that was about to change dramatically in a Europe in turmoil.
A behind-the-scenes look at the making of The Lion King.
A film about Dorothée Blanck.
Even though doctors Ondřej and Kateřina look after their patients to the best of their ability, they can’t prevent their death. As heads of palliative care at Prague’s General University Hospital they face the inevitability of the end on a daily basis. Yet what perhaps makes their job harder is the myriad options now open to them to prolong human life – and this at a time when death has become a social taboo. Betraying her special brand of empathy, documentarist Adéla Komrzý demonstrates that, while there’s no good or bad way to die, there’s always a means to improve patients’ quality of life.
A personal deconstruction of the true crime genre, focusing on the figure of a relative of the director: a notorious Swedish criminal nicknamed “the Count.” As it recounts the life story of this three-times suspect of murder, the film challenges the seemingly unquenchable thirst for stories about violence. A thrilling, topical, and political documentary made to dispute the viewers’ need and wants for this type of true stories – a true Nordic noir, the first of its kind.
Temple of My Familiar is the name of a mural painted in Belfast by Canadian artist Nhan Duc Nguyen. This documentary situates Nguyen’s art within the political context of war-torn Northern Ireland, and explores the artist’s own cross-cultural search for an identity spanning East and West.
Blending Milk and Water: Sex in the New World is a cross-cultural, intergenerational, documentary about the diverse views of sex from twenty-two people. The recollections, fears and opinions of young people, professionals, healthworkers, educators, artists, community activists, and people living with AIDS are mixed.
