The film turns first to the history of the Phaidon Press, which was founded in 1923 by Béla Horovitz in Vienna
Social & External
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
Documentary glimpses from Alt & Neu (Teuchtler) record store, where love for cinema and music unite vinyl collectors and tourists in the 6th district of Vienna. 30 years after the release of Richard Linklater's Before Sunrise, the family-owned business remains one of the movie's most visited locations. The Teuchtler family shares how they feel about it — and reflects on the legacy of that one Trilogy scene.
An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.
The Austrian Kreisky government enforced a policy of full employment, it was not allowed to set foot on the lawn in Vienna's Burggarten, the city and the minds of the people are grey. In a nutshell: es is zum Scheissn! The Kronen Zeitung speaks the mind of the philistine bourgeoisie and tells about "drug abuse, duck murders and sex orgies", the city government reluctantly provides a youth center only to evict it subsequently, a former Nazi becomes president and Vienna is burning because of the Opera Ball demonstrations. Punk in Vienna was not different than punk anywhere else. And yet, it was. "Scheiss Kieberei" instead of ACAB, Dead Nittels instead of California über alles, "Nazis raus" by Extrem on the same compilation as "We're gonna fight" by 7 Seconds. And anyway, the band names: Chuzpe, Schund, Pöbel. The outcast kids of Helmut Qualtinger tell their own story.
Ignaz Wuzel and Gerhard Jeschko are regulars at the espresso in the Südtiroler Platz underground station. Warden Leopold Prinz knows the problems of the children from Karlsplatz. In 1993, Elizabeth T. Spira filmed people on the Vienna subway network. Above all, it is the desperate, the lost and the forgotten who find refuge and a home in and around the subway.
Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.
In the spring of 1902, Viennese working-class daughter Marie König runs away from her beating father and is lured into a high-class brothel by an agent. Instead of the promised self-determined life "with horse-drawn carriage rides and silk dresses", she experiences closed doors, violence and exploitation. Only after years of agony does Marie confide in the journalist Emil Bader, who makes the conditions in the brothel public and takes the owner, Regine Riehl, to court.
Pianomania takes the audience on a humorous journey through the secret world of sound and accompanies Stefan Knüpfer in his extraordinary work with the greatest pianists in the world. To select the instrument that corresponds to the vision of the virtuoso, according it to his desire and accompany him until he goes on stage, Stefan Knüpfer has developed nerves of steel, a boundless passion and above ability to translate words into sounds.
What motivates people to organize communal living themselves? What ideals are behind it, how do they finance themselves, and how does life in a community work? Based on six self-managed residential buildings in Austria from the past 40 years, the documentary film "Der Stoff, aus dem Träume sind" (The Stuff Dreams Are Made Of) sets out to find answers. Filmmakers Lotte Schreiber and Michael Rieper tell these six stories by staying very close to the protagonists.
The documentary portrays Erich Finsches, a true Viennese original and Holocaust survivor. Based on over six years of collected material by director Matthias Jaklitsch, who supported Erich on his travels, the film shows him as a positive, humorous, but also argumentative and unique personality in all his humanity. At 97, Erich continues to tirelessly advocate for remembrance of the past, attending memorial ceremonies and schools to spread his message of "Never Again." Instead of a traditional "eyewitness narrative," the film not only documents Erich's life, his youth during Nazi persecution, and his rebuilding of a new life after the war, but also the relationship between the director and the protagonist.
The Kiss by Gustav Klimt is one of the most recognised and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston. Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist that created it? Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old.
Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.
Facebook is for “old people” and baggy pants are almost vintage. We are the generation that now has to learn to fit in the shoes of grown-ups. We are the generation "not-as-young-as-we-thought-we-were" - Y. This documentary tells our journey through the different generations and which milestones our lives hold from the viewpoint of a modern "social and connected" society. We met people of the generations before and after us, to find out what matters to them, what unites them and also divides them. We talked about communication, family, work and aging. We learned about ways of life, dreams and goals. This isn’t just a movie about generations. This is a movie about finding one’s place. This is a movie about growing up, growing old and everything in between. This is a movie about life.
A journey through Viennese cinemas, from the first showings by the brothers Lumière to modern megaplexes.
A film about news, life and death. Before the media became so prevalent, we were concerned about our immediate neighborhood. At the end of the day, news was the subject of our conversations, but now it's possible to converse with someone at the other end of the globe. We do it all the time. It's simple. The world has become one big neighborhood. Now Headline News has replaced the back fence. That's the news service of the eigthies. It's a new idea and a new approach.
The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.
In the spring of 1939, Gilbert and Eleanor Kraus embarked on a risky and unlikely mission. Traveling into the heart of Nazi Germany, they rescued 50 Jewish children from Vienna and brought them to the United States.
Paleolithic: a mysterious and enigmatic period. Hard to grasp from today's point of view. How did people live then, how did their communities function? What does the statue of the Venus of Willendorf tell us about them? ... The Venus of Willendorf, an ingeniously crafted 29,000-year-old statue of a woman, is a naked and sensual witness to the early Stone Age. Who does he represent? Is it a real depiction of a woman or an ideal? Is it a tribute to women mothers? Analysis of the famous statue and other archaeological finds from Austria and the Czech Republic shows that Paleolithic life was more diverse than previously thought, including the role of women, who very likely performed the same activities as men. They were hunters of big game and guardians of ancient knowledge. Take us back 29,000 years to people who were a lot more like us than we think.