A group of prostitutes in Rio de Janeiro who fight to obtain rights and reduce stigma, create a clothing label that quickly invades Brazilian fashion shows. Poster photo by Daniela Pinheiro.
Social & External
Documentary by Celine Danhier shows the creation of the '25 pre-fall Oscar de la Rente collection. We take a look backstage to dive deep into all the tasks that make up a collection. We see the creative process of designers Laura Kim and Fernando Garcia, as well as in-house and external employees. It gives a special look at the, otherwise invisible, hands that ensure the collection is complete and presented.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
Examines the 40-year evolution of gender inequality and discrimination in the workplace since the 1980 release of the comedy film “9 to 5” starring Jane Fonda, Lily Tomlin, Dolly Parton, and Dabney Coleman.
Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.
Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.
Cathline, Ines and Marie have been visiting the metaverse for years. The three young women explore these virtual worlds where everything is possible: friendship, love, and sexuality. In the heart of breathtaking settings, they push the boundaries of their own body and their identity. Not without dangers. This documentary takes you on a fascinating journey to the heart of these little-known universes, questioning the boundaries between the virtual and the real, and exploring the themes of love and sexuality.
November 2016 : The United States of America are about to elect their new president. AMERICA is a deep dive into the heart of Arizona, meeting the inhabitants of a little town crossed by Road 66, the broken inheritors of the American Dream who deliver us their hopes and fears.
Get to know a little bit about Paulo Moreira, sign painter from the metropolitan region of Belo Horizonte - MG, his hand painting techniques and the challenges that his profession presents in the daily lives of big cities.
The lives and careers of iconic fashion designers Jenny Kee and Linda Jackson, who created a bold Australian identity through their clothes
A biography of Erte, the early 20th century Russian artist and designer known for his glamorous opera sets, jewelry, costumes, and graphic arts. Narrated by Diana Vreeland.
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.
Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.
Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.