"The Ghouls are back in business"
Experimental short film by Thokas
Social & External
Psychedelic animation that impresses with eyeballs and other motifs.
A psychedelic animation that starts with an irregular ink spread and develops while increasing the degree of confusion.
Séance provides one of the first cinematic examples of a flicker effect.
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
"Light animation and original poetry in this initiatic journey by Dennis Pies, who is now known as Sky-David." - Daily Psychedelic. Preserved by the Academy Film Archive in 2013.
In 2057, a smart house remains standing in a world without humans after a nuclear war, along with the robots inside it. The robots continue their daily routines meaninglessly. While humanity has been destroyed by a power of its own making and greater than itself, this artificial order, in parallel, is also unable to withstand the greater force of nature for long.
A fiddler's hand creates its own choreography is music is performed. This film is an attempt to share the dance. In the tradition and spirit of a Norman McLaren short, a light attached to a fiddle bow traces a dancing dot of light in darkness. The music was composed and is performed by Gordon Stobbe on fiddle and accompanied by Bill Doucette on guitar.
After a threesome proposal, Beatrix drinks cranberry juice non-stop hoping it will improve her sexual life.
The Possible Fog of Heaven is a consideration of the dimensionality of metaphysics and the metaphysics of dimensionality. Elvis speaks for the first time from the afterlife, describing in voice over and graphic text, his experience in Heaven. The Structure of the tape follows the King’s last prescription.
Minimalist, geometric shapes are set to processed found noises in a film that takes familiar noises and makes them strange.
From the vast randomness of the universe, countless alternative life forms emerge. Among them, fragile and delicate, human life reveals itself as something precious, quietly worthy of celebration.
A mixed media experimental animated film that generates a fragmented view of the world through the partial disclosure of a fantastic event. Day-to-day mystical, trivial and important activity is represented using reoccurring symbolic triggers, both visual and aural.
A surrealist short film by Ellie Thatcher, following acceptance of a changing world by a high-ranking noble.
From a set of photographs found in a thrift store, Geiser creates a liminal space between representation and abstraction, figure and landscape, fiction and memory. ARBOR suggests the fragility and ephemerality of memory and its artifacts through subtle manipulations of the photographs: reframings, layerings, inversions, and the introduction of natural elements, including flowers and leaves. The photographs’ subjects rarely engage the camera; they are glimpsed, rather than seen. They look elsewhere, and wait for something inevitable. Gathering on a hillside, lounging on the grass beyond now-lost trees, the inhabitants of ARBOR cycle through their one elusive afternoon, gradually succumbing to time or dissolving into landscape, reserving for themselves what we can’t know---and becoming shadows in their own stories.
A narrator explains the history of the Olympic Games while Goofy demonstrates events.
Donald is an admiral on a seagoing voyage with his nephews in which they encounter a ravenous shark.
Taking all the places on both teams, Goofy demonstrates the game of football with varying results, having problems with the coach and the goal post.
A basketball game of Goofs (P.U. vs. U.U.) in which the players play furiously, often breaking the rules of the game. All of the players are named after Disney artists.
Minnie Mouse knits a sweater for Pluto. When she puts it on him, Pluto does whatever he can to try to get it off, eventually shrinking it to the perfect size for Figaro.
Spike the bulldog, grateful to Jerry for getting him out of the dogcatcher's van, offers to help the little mouse any time he whistles. Tom, Jerry's feline tormentor, seeks to overcome this new disadvantage.
On Motunui, Maui tries to catch a fish with his magical fishhook, only to be comically foiled by the ocean.
On an idyllic beach in the Pacific Northwest, curiosity gets the better of a young raccoon whose frustrated parent attempts to keep them both safe.
The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.
Schoolboy Donald is torn between his angel and devil sides, though in Donald's case, the devil side isn't hard to resist. But the smoking he's encouraged to do turns him green and gives him regrets, and when the good side shows up and kicks evil's butt, Donald cheers.
Butch convinces Tom and Jerry that there's no reason to fight and they should all sign a peace treaty. Tom and Butch even rescue their pals from a fellow cat and dog. But then a steak falls off a truck and the boys can't decide how to divvy it up, ultimately losing it completely, and the truce is off.
Scrat comes across a time machine and is transported to various times all in pursuit of his beloved acorn.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.
A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.
Villainous Vector must figure out how to get off the moon and return to Earth.
Tired of always playing the same roles, Little Red Riding Hood, her grandmother and the Wolf demand a new version of the tale. The story then plays out in a more contemporary urban environment, with Little Red Riding Hood working as a pin-up girl in a night club.
In an attempt to convince Minnie that he hasn't forgotten to buy her an anniversary present, Mickey Mouse ends up promising to take her to Hawaii. Funds being short, he applies for a job as lab assistant to the sinister Dr. Frankenollie, who happens to be searching for a donor to provide his monstrous creation with a brain.
This Oscar-winning short tells of a bull who preferred to sit under trees and smell flowers to clashing horns with his fellow animals. As luck would have it, an untimely bee reveals Ferdinand's ferocious side via pained howls and wild stomping. This lands him in the bull-fighting arena amidst characters based on Walt's animators with a matador reportedly modeled after Walt himself.
A routine tow lands Mater in Tokyo, where he is challenged to a drift-style race against a nefarious gang leader and his posse of ninjas. With the help of his friend, 'Dragon' Lightning McQueen, and some special modifications, Mater attempts to drift to victory and become Tow-ke-O Mater, King of all Drifters.
