Social & External
Unknown Role
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
The rise of a Malay warrior named Mat Kilau and his friends against the British colonialists who came to Pahang in 1892. The greed of British officials and policies, which have imposed excessive taxes, confiscated land belonging to the Malays to reap the treasures of Pahang and disrupted the Islamic way in Pahang has caused dissatisfaction among the rulers and the Malays. The patriotic spirit of Mat Kilau and his friends who rose up against British violence had caused Captain Syers to launch an attack on Mat Kilau. Witness the heroic spirit of Mat Kilau, Tok Gajah and Mat Kilau's best friends use their wisdom to fight in the jungle against the British soldiers. Did Mat Kilau and his friends succeed in driving out the barbaric and greedy British army to reap gold and tin in Pahang?
A therapist and a lawyer (a couple) and a female erotic stories writer talk about various sex stories of some couples.
Bi, a Vietnamese country girl, survives a brutal childhood and escapes to Saigon. There, she is recruited by the mysterious Mrs. Lin, who trains Bi and her new friends Thanh and Hong in killing and sensuality to take down Hai, a Saigon crime lord.
The first date between Marcello and Herman turns into a game in which every action is dictated by rolling a mystical dice. A powerful feeling begins to arise between the two, but how long can a relationship entirely based on fate last?
This beautifully understated Western is the story of a son raised by two fathers, one from the European East and one from the American West. On the cusp of the 20th century, somewhere on the American frontier, Igor, an immigrant and recent widower, struggles to raise his two-year-old son Ivo on his own. When his American friend and mentor Duncan decides to move his horse-breeding business and young family to California, Igor and Ivo join the wagon train headed West.
An ageing Kaalidhar escapes his family after overhearing their plans to abandon him. He meets the free-spirited Ballu, and they embark on an adventure to tick things off Kaalidhar's bucket list.
TK, an eminent person, had transformed himself into an enigmatic Sociopath, mainly due to his traumatic childhood and upbringing. A chain of events instigates a retired police official, Padakam, to initiate an independent probe against him that opens up a can of worms
A late summer typhoon looms as Ting's wedding approaches. Urged on by her mother, Ting sets out from Guangzhou to Hong Kong to look for her father who has been absent for 20 years. On her trip, Ting's vague memories from the past come back to her. An unexpected encounter leads Ting to find out the truth of her family. She gets in touch with an old friend, Yuseng. They spend a night together at Yuseng's place, both feeling as if they were in a dream, searching for the lost time.
Sanae, who went to prison after failing to kill her ex-boyfriend six years ago, meets Kenta, a forest ranger, and gets married. Sanae and Kenta's married life takes a new turn when the wife of Sanae's ex-boyfriend appears. Sanae still can't forget her ex-boyfriend, and Kenta is having a hard time dealing with her.
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