Two women discuss the roles and problems of women, education, and shopping on Fogo Island.
Social & External
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.
The camera falls in love with the characters, the landscape and the objects and is installed with the tenderness that inoculates the life of the town itself. The camera is the thousand eyes of the gaze of a rigorous anthropologist, although in love, multiplying so as not to lose detail in 24 hours of people, activity, games, intimacy ... Recording every sound that pierces the oceanic silence of the countryside open.And night comes. And the gazpacho. And the party. You see.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
In rocky Newfoundland, renowned French artist Jean Claude Roy gathers his paints and sets off to face the day. Whether it be freezing snow, violent wind, or pouring rain, he commits vibrant colors to canvas and conquers the day by weaving crooked beauty out of difficulties.
The Priory is a public extended-care hospital in Victoria, British Columbia, for people suffering from chronic geriatric illnesses. Treatment is innovative. It is based on the theory that even the ordinary activities of a patient's life contain elements of therapy. The film shows us how patients are encouraged to do as much as they can for themselves despite their confinement to wheelchairs.
One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.
After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.
Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.
In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.
Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."
According to an ancient myth, there was a woman who, by violating the prohibition against leaving her house during menstruation, became a cannibalistic woman, an evil spirit. Amid the fear and outcry of the men, the woman was murdered and burned. But soon after, from the ashes of her pubic hair, the tobacco plant sprang forth. Today, the women of the tobacco fields are experiencing a resurgence in collective work that intertwines with personal aspirations. Five women tell us in their own words how they learned the trade from childhood. As they work, the women of the tobacco fields share their lives and their silenced childhoods. They share stories and veiled traditions.
The documentary chronicles women's experiences of discovering, dreaming, acting and rebelling together, namely the early years of the formation of a feminist movement in Turkey.
This short documentary includes three vignettes about life off the coast of Newfoundland. In Island of Birds, we visit Green Island, a sea bird sanctuary where puffins frolic. In Caplin Harvest, little silvery fish called caplin spawn by washing ashore along the waves, making an easy catch for fishermen. In Outports on the Move, off-shore houses are pried loose from their foundation and floated to the Newfoundland mainland, where schools, hospitals, stores and services are available to the community.
Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.
In Canada, the village of Val Gagné is facing a rural exodus. Life seems to be dissolving, the future is uncertain. But these Franco-Ontarian villagers are surprised by a wind of renewal. A wind that will give them hope.
