One summer morning, Anna tells her husband, the writer, that she is in a blessed state, but that she doubts whether she should have a fourth child in addition to the three she already has, because "having children here is, to put it mildly, illogical". This decision is explored in the film as events of the present are interspersed with memories of the past.
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One summer morning, Anna tells her husband, the writer, that she is in a blessed state, but that she doubts whether she should have a fourth child in addition to the three she already has, because "having children here is, to put it mildly, illogical". This decision is explored in the film as events of the present are interspersed with memories of the past.
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