William K.L. Dickson and William Heise shake hands in this early experimental film.
Social & External
Unknown Role
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”
In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
Journey across Morocco, Spain, Mexico, Argentina, Patagonia, Texas and British Columbia, to meet vaqueros, gauchos, baqueanos and cowboys - all part of a single global horse culture, an unbroken trail stretching back 1,500 years.
An experimental and poetic portrait of a woman.
Anything that complies with standards is a wasted effort to Vlado Kristl: 'I believe in only doing those things that decompose and tear conventional systems apart.' Kristl's métier are borderlines. His paintings and animated films are interspersed with clear dividing lines, only for him to blur and mess them up. His graphics are scribbled over and over again until the whole surface becomes black. His oil paintings, unless someone buys them in time, are painted over and over again. He destroys any form that begins to grow. -Thomas Brandlmeier
Wild Ocean is in an uplifting, giant screen cinema experience capturing one of nature's greatest migration spectacles. Plunge into an underwater feeding frenzy, amidst the dolphins, sharks, whales, gannets, seals and billions of fish. Filmed off the Wild Coast of South Africa, Wild Ocean is a timely documentary that celebrates the animals that now depend on us to survive and the efforts by the local people to protect this invaluable ecological resource. Hope is alive on the Wild Coast, where Africa meets the sea.
From beautiful but dangerous waterfalls to canyons and underground rivers carved into stone millions of years ago, Wild Australia is a stunning look at our fragile world and how it relates to Earth of ninety million years ago
A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.
In this 2010 visual essay, Chaplin historian Jeffrey Vance, author of “Chaplin: Genius of the Cinema,” draws from a wealth of production photography to discuss the making of MODERN TIMES.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.
No known plot
The film begins in Mumbai where a terror-sticking dead body from the hospital mortuary wakes up. Everybody reads him as Godse who is in a coma for 18 months, and a couple, Bhupati & Malathi Devi forwards as his parents. Further, he knowledges that he is CEO of a company that met with an accident done by his opponent Banerjee. However, he denies it, stating himself as Bose when doctors analyzed that it is a blackout stage.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
Davis is a down on his luck filmmaker who, unable to generate interest in his movie has invested what little saving he has in an old camera to shoot the film himself, only to find that he gets more than he expected, in the form of some unexpected help.
The ice caps are melting, there’s overpopulation, political unrest; everything’s going to hell in a handcart – why on earth would someone bring a baby into this world? Directed by Matthew Warchus, Claire Foy and Matt Smith perform a socially distanced version of Duncan Macmillan’s hilarious emotional rollercoaster of a play about a couple wrestling with life’s biggest dilemmas live from The Old Vic.
Village Gym is an uplifting short film about fitness, friendship, and personal growth. Ronnie, struggling to stay fit at home, finds himself inspired by his friend Rachel, who is already a member of the Village Gym in Farnborough. Encouraged by her recommendation, Ronnie decides to join the gym and begins his fitness journey. The Village Gym offers more than just a place to work out-it's a hub for health and wellness. With its state-of-the-art equipment, spacious rooms, swimming pools, sauna, steam room, and jacuzzi, it quickly becomes a transformative space for Ronnie. As he commits to his routine, Ronnie not only gets in great shape but also builds a sense of community. He befriends other gym-goers like Matt, Tom, and Angelina, who share his enthusiasm for fitness and motivate him further. Ronnie's positive experience leads him to recommend the Village Gym to his friend Gimmy, encouraging him
In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive
Uchida Mayu is a high school student in a peaceful town near Tokyo. She suffers from violence from her stepfather and plans to run away to her uncle's home in Tokyo. As she is about to board the last bus to Tokyo, a terrible looking old person causes her to miss the bus. She attempts to walk across a ridge. Meanwhile, Mayu's uncle Uchida Kazuki is a freelancer writer. He chases after the hideous monster Yoshie who attacks people. Kazuki receives a phone call that his niece Mayu ran away. He begins a search for her and finds her cellphone on a mountain path. He sees Yoshie's picture on her cellphone.
I Want to Live is a documentary on the lives of Kurdish Refugees from Syria, living in refugee camps in Kurdistan. Shot on location, it is set against the Syrian civil war and the ISIS (Islamic State) attacks upon Kurdistan. Told through the eyes of a young boy, Shndar, living with Thalassemia disease, he searches for an immediate treatment as he ages without losing hope, leaving his home amid simmering ethnic and religious hatred to live the life of a refugee. The film tells stories of daily life on the camp and outside of it. More than being a film on the life of refugees, it is an intimate character study and gripping tale of innocent lost amides wars, a meditation on life, death, war, peace, and tolerance.
1942. The State of Finland has formed an alliance with Nazi Germany. An elderly man single-handedly tries to stop a secret attempt by the Finnish State Police to hand over Jewish refugees directly to the Gestapo.
A girl witnesses a horrible sight online, then the electricity is cut off inside her apartment. Later when the light returns, she feel that she is not alone.
Oh Deer! A weekend getaway becomes deadly when bad blood turns a group of friends against each other.
Shivrajkumar comes to his close friend, Ramesh's home town and falls in love with the girl whom Ramesh loves (Prema).
A humorous stop motion thriller following one woman's fight with urban fly-tipping. If Hitchcock made “The Birds” with mattresses instead of crows, it would look something like this.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
Guy is a shy 16 year-old with a big secret. He has superpowers. Following an encounter with another classmate at school. Guy is forced to face his fears and learn to trust his powers. Ultimately leading Guy to finally confront his abusive father.
A parliamentary candidate and his mistress will spend the night at the police station. After all, no one is above the law, no matter what his credentials or social status may appear to be.
