Social & External
The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
Sonar Rock City: Seattle is a journey through the city that caught our attention back in 1992 thanks to the grunge movement which today no longer exists. Still today the creative spirit runs through its veins with a new music scene that captures what Seattle is in its core.
It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.
During a protest, French priest André Jarlan was shot and killed on September 4, 1984, in the La Victoria neighborhood of Santiago. The residents arrived on foot to the Cathedral demanding justice, also offering a testimony of love and solidarity with their pastor. In parallel, the documentary tells the story of the 1957 occupation that gave rise to the town. It also reveals the strong organization of the residents, essential in addressing the economic hardship and repression suffered by one of the main popular bastions of opposition to the military dictatorship. Pierre Dubois, the parish priest of La Victoria, played a leading role in the attempt to stop the violence against the residents of the town. In recognition of his work, he was granted Chilean nationality in 2001.
This film visualizes humanity’s quest to relentlessly pursue goals. In the human fight for progress, the march forward cannot be stopped, even when individual people become weary and die. This animated short is based on a poem by the Chilean filmmaker and poet Juan Forch. Chilean painter Hernando León created the design.
Rüdiger was a child, Aki two months old and Kurt, the deputy of the pedophile leader of the sect. In 1961 they came to Chile together with 500 other German sect members and for over 40 years they lived secluded from the rest of the world. The film tells about the attempt to survive as a collective after decades of crimes such as torture and murder and shows different ways in which the individual copes with the history of the community.
Amanda, a young Mapuche Huilliche woman from Chilean Patagonia, fishes with her uncle, but exploitation by multinational salmon companies has made her work difficult. She falls in love with Manuel, who decides to join the fight against intensive salmon farming in Santiago. Amanda must choose between staying or following him.
When everyone is supposed to be celebrating the arrival of a new year, the Chilean director Cristobal Valenzuela takes to the streets of Santiago to give voice to another facet, less colorful and festive, undoubtedly invisible, of this eve. Lonely pedestrians who roam the streets of the city inhabit the frame of a handheld camera that allows them to express themselves. Comments of hopelessness and tiredness, contrasting with the sky lit by fireworks, give us a glimpse to that other social image.
This short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.
This short animation collage uncovers the financial backing of the Chilean Junta bosses by the US. Screened at the 1976 Oberhausen Int. Film Festival.
A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.
The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".
