The Hunters

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

Prince

A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.

Wheat Cycle

The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.

Naked Spaces: Living Is Round

Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.

Live, song, live!

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

Cowboy and Maria in Town

Exploring individual responses to rapid social change, Cowboy and Maria in town follows the parallel lives of its two central characters. Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. Far from being third world victims, they go about their daily lives with humour and imagination, rising to the challenge of enormous cultural upheaval.

Folia no Morro

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

Congo

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Innerer Kongo

Det danske Congo-Æventyr - Opdagerne

Det danske Congo-Æventyr - Erobrerne

Det danske Congo-Æventyr - Hjælperne

Africa Blood and Guts

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Le dernier poumon du monde

Choqela: Only Interpretation

This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.

35 Cows and a Kalashnikov

35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.

Burial among the Tetela

Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Lotoko

Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Burnt Earth

A visual travel diary on the expedition led by Brondeel in 1934. This expedition to Belgian Congo, by truck, became a testimony to the social conditions of Africans during the colonial era.

Across the World with Mr. and Mrs. Johnson

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.