The Living Theatre - a video retrospective

The Living Theatre is an experimental company founded in New York in 1947 by Julian Beck (New York 1925-1985), painter and poet, and the actress and stage director Judith Malina (Kiel 1926), a student of Erwin Piscator. From the very beginning the group’s activities bore the stamp of social and political commitment, imbued with a strong libertarian matrix. A video montage of films and videos from The Living Theatre Archives.

Signals Through the Flames

Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers.

Discovering Hamlet

Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.

Cimrmani

Who Killed the Federal Theatre?

Part journalistic investigation and part performance documentary, "Who Killed The Federal Theater?" tells the story of the Federal Theatre Project within the context of a volatile period in the political, social and cultural history of the United States. The film features interview segments with playwrights, including Arthur Miller, and with actors, directors, designers, and historians. It also incorporates rare archival materials and dramatic sequences, including professionally re-created scenes from Federal Theatre productions that transport viewers back in time to a bygone era in American history and entertainment.

Army Art Theater

Merci Zaza - La folle histoire de la Cage aux Folles

A look back at "La Cage aux Folles", which ran non-stop for five years, from February 1973, on the stage of the Théâtre du Palais Royal in Paris. At a time when homosexuality was considered a crime by the law, Poiret and Serrault achieved great success in boulevard theater. Their success continued on the silver screen, with three Oscar nominations and a Broadway musical. Combining never-before-seen archives from the play, extracts from the film, confessions by Poiret and Serrault, and interviews with witnesses, this is the story of a wild epic.

Performing the Goddess

"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

Upstage

A documentary on Goshen High School, a school in Upstate New York, and its theater program which has a vast history spanning over 60 years. The film explores Paul Wright, the founder of Goshen's theater program, and the history of the program up until the cancellation of the 2020 musical of Beauty and the Beast. This film takes a deep dive into the process of how Goshen High School musicals are produced and what makes this theater program so special

Parte - Teatro do Corpo

Ústřední loutkové divadlo

The King of Laughter

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

The Trials of Oscar Wilde

England, 1890s. The brutal and embittered Marquis of Queensberry, who believes that his youngest son, Bosie, has an inappropriate relationship with the famous Irish writer Oscar Wilde, maintains an ongoing feud with the latter in order to ruin his reputation and cause his fall from grace.

When I Will Become a Giant

Eight-grader Petya Kopeikin, despite his short stature and nondescript appearance, is constantly in the spotlight. Petya is noble, witty, well versed in literature, he writes wonderful poems. Kopeikin has long been secretly in love with his classmate Masha Goroshkina, and she is passionate about the new student from 9 "A" Kolya Kristallov. Masha tells Petya about her feelings and asks him to hand over a note to Kolya. Deeply worried from unrequited love, Petya not only doesn't stand in the way of a happier rival, but even helps him win Masha's heart. He wants to prove that courage and honor were not only inherent in the times of “musketeer” novels, but exist in our time. Petya chooses to follow the example of the hero of the famous play Edmond Rostan and in his actions copies Cyrano de Bergerac.

Robot Radius

A recording of the Laterna Magika theater performance, which represented the Czech Republic at the EXPO 2020 World Expo. Scientific and technological development has advanced considerably since Čapek's time. Radius is challenged by artificial intelligence, which has taken over the world, to advance to a higher level of existence. His transition to a new dimension will complete the elimination of humanity from planet Earth. Miřenka Čechová's production reflects the threats facing contemporary society, but like Čapek, she believes in humanity and human values.

Stage Fright

Micahel walks onto stage to perform for the first time.

Burr: A New Muscial

Following his duel with Alexander Hamilton, Vice President Aaron Burr devises a plan to lead the first secession in US history.

[On Set with] Lilly Reich

[On Set with] Lilly Reich explores the contextual limitation of the profession and the recognition, under conditions of equality, of the work of Lilly Reich, a pioneering woman of the Modern Movement.

Pastor Lothar Stops

Lothar König is an original. The long-term youth pastor from Jena doesn’t fit into any system. In the GDR he was under state surveillance, after reunification he was one of the most tireless warning voices against the growing right-wing radicalism. To this day, he takes to the barricades against the extreme right, often on the frontline. Nevertheless, this film portrait by his son Tilman is not an homage but a critical tribute to an outspoken character forced by retirement to re-invent himself.

Don’t Shoot the Composer

DON’T SHOOT THE COMPOSER is far from an ordinary profile of Georges Delerue. It also serves as a calling card for Ken Russell, whose work would define the 1970s as Delerue’s did in the 1960s. It begins with a sly work of pastiche, parodying the conventions of French noir. It goes onto encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War. This eclectic approach gives us a sense of the different facets of Delerue’s life- his love of cinema, his home life, his work ethic. It also prefigures Russell’s feature length biopics of Mahler and Liszt, though in a more modest- and lucid- fashion.