A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.
Social & External
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.
Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?
An intimate exploration of life in Bzebdine, a small rural village in Mount Lebanon.
Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.
Beyrouth, spring 2020. Is the uprising in Lebanon merely on hold?
Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.
Two realities of life in Lebanon that couldn't be further apart: How a desperate man tries to escape across the Mediterranean because he can no longer cope with poverty and lack of opportunities and, on the other hand, how a successful wedding planner makes the dreams of the rich and beautiful come true.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
Lebanon's brief flirtation with space travel in the 1960s becomes a poignant metaphor for the Arab world's utopian dreams in this riveting documentary.
In the Land That Is Like You is a progress on the tracks of my lost past, with the contact of my mother, my grandmother and the man who I love, in a country which escapes from me and retains me, Lebanon.
A few months after the incident of April 13, 1975, during which Palestinian civilians were machine-gunned by Phalangist militiamen, the toll is most tragic: six thousand dead, twenty thousand wounded, incessant kidnappings, a semi-destroyed capital. This film traces the origins of the Lebanese conflict, the perception of a society that goes to war while singing. A unique document on the Lebanese civil war. Beyond the religious war, the painting of a social and political reality that has not changed much, more than four decades later.
Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.
The Land documents the uprising of the people of Bisri and activists from all of Lebanon against the construction of the dangerous dam leading up to the Bisri Valley's liberation. Farmers and shepherds discuss their fears of losing the land and their intimate relationship with it. It also presents the project's seismic and geological dangers, its futility, the conflicts of interest surrounding its construction, and its destruction of a rich and significant area in every respect.
A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.
Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977. The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP (Progressive Socialist Party), the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt (1917-1977) becomes the last witness... of his own life.
Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture (1946) and founder of the Progressive Socialist Party (PSP) in 1949. He was one of the architects of the departure of President Bechara el-Khoury (1952), before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it (March 1976). He was assassinated near a Syrian checkpoint in 1977.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.
