In a courtyard somewhere in Washington D.C., Senator Stevens walks and talks with President Nixon in this brief silent color film.
Social & External
Unknown Role
"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !
As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.
As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.
Clouds forming and moving through the summer sky.
In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.
A short film featuring a pebble beach and coastal salt marsh in Maine.
A study of the seashore in mid-coast Maine.
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.
Story about the last original "American Diner" in Miami, Florida. Since 1938 the S & S has been owned and operated by the family of the present owners, Charles and Jean Cavalaris. The S & S Diner is the ubiquitous Miami landmark on Northeast Second Avenue, known for serving large portions of homestyle food.
Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
Sunlight in a winter forest.
A golden sunrise brings light to the foggy hills and meadows of late summer.
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.
A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).
A close look at flowers and pollinators on a sunny summer morning.
Wildlife in an early spring wetland.
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
Produced by Jack McGaw and co-produced by The National Research Council, the Ontario Ministry of Transportation of Communications, and Toronto/Ontario Provincial Police, they demonstrate dangers of driving under the influence of alcohol and drugs with participating young drivers alongside field experts and researchers to aid in their experiments.
1977 film fragment by H.R. Giger and J.J. Witmer