A short film about the abstract processes of light becoming a physical form in the landscape.
Social & External
cellular memories, schizophrenia, and emancipatory masculinity.
A young woman embarks on an unexpected journey with her spunky younger sister after leaving her fiancé at the altar.
A mysterious figure explores the uncanny and terrifying space between light and darkness.
Ramsés begins to experience disturbing changes in his body and mind, unsettling shifts that disrupt his daily life. Soon he realizes he is no longer alone in his own skin: the demon Asmodeus has taken control. Under this possession, Ramsés is driven into a spiral of desire and violence, seeking out both men and women to consume through blood and sex, feeding the darkest temptations of the demon within. As reality and delusion blur, Ramsés struggles to hold onto what remains of his humanity while Asmodeus leads him ever deeper into a world of lust, horror, and destruction.
A strange voice speaks to humans, it tells us, “Come, here I am, before everyone, before you.” Few have listened to it, much less understand what it is trying to tell us.
He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
Fourth in the IMA Portraits series, this short introduces us to the life and work of electronic/contemporary composer Eliane Radigue. Radigue discusses methods of composition, the challenges and difficulties of live electronic music, as well as biographical episodes with Pierre Henry and her own goals in soundscape production and consumption.
Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.
A police officer finds himself worthless as he soon realizes there's no way he could put an end to a businessman associated with running a prostitution ring.
A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.
A young boy, in his depressive mental state, is obsessively searching for something he calls the "Truth". Desperately looking for answers, he treads through forests and abandoned factories, seemingly with no luck. Everything changes for him when he comes across a certain primordial being known to every human in existence.
A girl trapped in a time loop leaves an AI replica to relive her final days. Glitches and burned-in subtitles reveal the machine’s fractured view, until the loop shifts to the real her — blurring the line between memory, code, and consciousness. "Told from the memory stream of a trapped A.I., the film visually glitches as it attempts to 'escape,' including encoded flashes of an 'ESC' key."
Alfie Zimmer stops at a motel for what might be the last night of his life in a surreal exploration of his mind. ALL THAT YOU LOVE WILL BE CARRIED AWAY is a short film based on the story by Stephen King.
Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.
In the nest of the sun, Xolotl, Huitzilin and Xochitl meet to recover the dance of radiation, whose colorful heat stirs the new fire of their cosmic dance. Part of the Film Tonalli.
Ivan Melnychuk documents the changes in Kyiv, focusing on the ruins of buildings constructed from the late 60s for workers. As an architect, he observes the ‘improvements’ of public spaces, highlighting small gestures common in Ukraine. These actions, driven by pragmatism, involve occupying spaces without considering broader effects, reflecting a persistent situation where public spaces are subtly manipulated.
In a record of images and sounds, a HIV-positive man recounts his sexual experience on the border between Argentina, Brazil and Paraguay.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
In the seedy domain of Miami’s criminal underbelly, a seasoned hitman embarks on the relentless pursuit of his next target. As shot entirely through thermal lens, he navigates a twisted world where violence and madness reign supreme. Tensions unravel, leading to a psychedelic journey that blurs the lines between predator and prey.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
As a country arms itself for war, a family tears itself apart. Forced to avenge his father's death but paralyzed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.
20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.
A struggling young father-to-be gives in to temptation and impulsively steals an envelope of money from the office of a corrupt attorney. Instead of a few hundred dollars, it contains $30,000. When he decides to return the money, things go wrong - and that is only the beginning of his troubles.
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
A fledgling actress is lured to a remote mansion for a screen-test, soon discovering she is actually a prisoner in the middle of a blackmail plot.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games.