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After suffering a stroke during a performance, cabaret artist Rainald Grebe faces up to his illness. A touching documentary about his return to the stage.
The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).
Through four nights of musical magic at Ullevi, Gothenburg, Håkan Hellström cemented himself as one of Sweden's greats last year. Edited together, this is a concert film of epic proportions and a musical euphoria.
The K.I.Z concert at Splash! 2014.
Broadway style songs are used to tell this interesting story of an ingenious orphan who gets involved in matchmaking and striving for inter-racial understanding in 1956 Alabama.
Documentary about the blacklisted folk group The Weavers, and the events leading up to their triumphant return to Carnegie Hall.
Heidi, star of the "Meet The Feebles Variety Hour" discovers her lover Bletch the Walrus is cheating on her. And with all the world waiting for the show, the assorted co-stars must contend with drug addiction, extortion, robbery, disease, drug dealing, and murder.
Stray Kids take the stage for their first online concert hosted by Beyond Live.
A wealthy man with a circle of friends falls seriously ill. The son quickly arrives with his fiancée, who discovers that he left her in a hotel and went to see his father alone. His father scolds him when he learns that he completed his engagement without seeing his fiancée and insists on seeing her. The son returns to the hotel and does not find his fiancée, so he agrees with a girl to play the role of his fiancée.
Based on the Japanese manga series "Ginga -Nagareboshi Gin-" by Takahashi Yoshihiro, this stage musicals follow the story of an Akita dog Gin, the son of the mighty hunting dog Riki. In order to take revenge on the ferocious killer bear Aka-Kabuto for his family, Gin joins the army of Ohu who also chases Aka-Kabuto. Together, they embark on an adventure to look for new comrades and fight against the killer.
A shoe salesman and a tailor respectively fall in love with two sisters, Yuk-sin and Yuk-ling, both reputed singers on the radio. The men devise various schemes to meet the two women. Fourth Aunt, the sisters' mother, treats the two women as commodities to be traded off to the highest bidder, greedily making money off their talents by arranging lucrative concerts. The shoe salesman and the tailor disguise themselves as rich men to get close to their dream lovers. Finally, the sisters are won over by true love.
It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.
Johnny Tyronne, action movie star and ladies man, is traveling through the Middle East on a goodwill tour to promote his latest movie, "Sands of the Desert". Once he arrives, however, he is kidnapped by a gang of assassins who were so impressed with his on-screen adventures that they want to hire him to carry out an assassination for them.
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