The Wrong Bed: Naked Pursuit

A woman mysteriously wakes up in a hotel handcuffed to a firefighter to find messages they left themselves the night before revealing that their lives are in danger.

Flesh of God

The 17th century. Somewhere in the Mexican mountains, a Catholic friar who has fallen victim to a strange disease is carried by his native disciple to the home of an indigenous healer. The old woman will try to cure him by performing an ancient ritual that will have unexpected effects in the body and mind of the evangelist.

Alta Morte

Un Chien Andalou

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

The Demons Beneath

"Les Démons" tells a rather familiar story of a young French man named Franc, who finds an ancient relic in a box hidden away in a cellar. It is soon learned that anyone who touches this relic will become possessed by a demonic entity, and Franc spends the film attempting to fight off this deadly deity.

Giving Up The Ghost

Parents-to-be Scott and Arianna don’t quite see eye to eye on a few things, particularly that Scott’s best friend, Harold, lives in their basement. And the fact that Harold happens to be a ghost.

I Was a Teenage Werebear

A repressed gay teen transforms into a beast after being bitten by a hunky classmate.

The Washing Machine

The washing machine bites the dust: turning the humdrum life of a young couple upside down.

Shin Yotsuya Kaidan

Forget Me Not

A father takes his two children eating in a public park. While the older sister feels unwanted because of her baby sister, she wanders off in a distant corner where sinister red eyed animals talk to her.

Videozone: The Making of "Puppet Master 4"

Revisit the killer puppets and paranormal researchers, whose brain fluid they craved, with in-depth BTS footage and commentary from the cast and crew.

Plastic Him

A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.

Blue Steel

Rookie cop Megan Turner orders a burglar to drop his gun. He whirls to shoot. Too late. Turner fires, killing him instantly. When someone lifts the assailant's gun from the crime scene, the police hold Turner accountable for killing an unarmed man. That same someone carves Turner's name into the bullets and uses them in a series of murders. Turner teams up with detective Nick Mann to clear her name and catch the killer. But she is drawn into a deadly game of wits with a psychopath who's always one step ahead… and much closer than she thinks!

Heresy

A man drives his car. Something obscure is deep inside his mind.

NONA

A destitute hitchhiking college dropout meets the girl of his fantasies at a local diner, stirring up fury-fueled bloodlust that she seems to encourage, almost too completely.

Carne

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Population 436

A census-taker is sent to investigate why a certain small town has had the same population -- 436 residents -- for the last 100 years.

Suburban Story

Struggling against the harsh realities of poverty, a devoted father, Mike reluctantly turns to burglary to provide for his daughter. The narrative unfolds through the varied viewpoints of those touched by his actions.

Pet Sematary: The Tale of Timmy Baterman

Jud Crandall recounts the chilling story of Tim Baterman, who was returned dead from Vietnam, and then returned from the dead...

Refused

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.