Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame.
Social & External
An exciting video journey through the world of time-lapse photography by one of the founders of the science of photobiology, Dr. John Nash Ott. Do fluorescent lights cause cancer and childhood learning and behavior disorders? Can long-term exposure to low-level radiation as from TV sets, computers, fluorescent lights, and similar devices harm you? Does living behind window glass and with glasses covering our eyes over years affect our health? Is natural sunlight and trace ultra-violet radiation really harmful? Or is it necessary and beneficial? How do cells, plants, and animals respond to constant exposure to different light color frequencies? These and similar questions were the subjects of Dr. Ott's pioneering investigations in the field of photobiology, using the methods of time-lapse photography.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
A silent dance documenting a brief visit to Minneapolis in the fall of 2022. A reflection on the sleeping city's tumultuous recent history through a recollected interaction and a plea for continued disturbance. An entry in an ongoing video and film series, Twin City Twist was shot on Kodak Tri-X reversal super 8 film with kaleidoscopic lenses. The film was scanned and edited digitally.
Five Kiwis take on a paragliding adventure in Tanzania, with the ultimate aim to fly from the summit of Mt Kilimanjaro.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
A homogeneous structure of wind and light across tree branches in the South region of Isère
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable
Depicting the sun rising on a midwestern winter landscape filmed over 1 hour and 10 minutes, this film explores the relationship between natural light and the illusion of passing time through superimpositions and high framerates.
The port of a Mediterranean coastal city, which had once been the symbol of prosperity and the epicenter of life in the region, is now only the reflection of a decaying present. Static and empty shots reveal glimpses of a brilliant past, only interrupted by the intermittent sound of the construction of a residential apartment building that stands menacingly a few meters from the dock, presaging an even darker future.
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
The film discusses the evolution and potential of using light waves, particularly coherent light, for communication. It highlights the development of lasers at Bell Telephone Laboratories, explaining how they produce a highly controlled and intense beam of light that could revolutionize communication. The film emphasizes the vast possibilities of lasers, including applications in telecommunications, surgery, and exploring the universe, suggesting that this technology represents a significant step in humanity's understanding and use of light.
Dusk of the Lights is a short experimental film directed by Allan Bustovsky.
The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.
Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".
A journey through a field of corn.
Tomek is a young doctor specialised in obstetrics sonography. He lives lost among the women around him. One night he is abruptly woken up by a dead call from his father. This seemingly unimportant event gradually gains significance.
An elite A.I.coder faces a collision between the algorithms of the VR worlds he's creating and the archetypal dimensions of the greater Collective Unconscious. He finds solace in a rural farmhouse he rents from a Professor of Psychology who lives next door with a student he mentors on her dreams. Over two days, the dreams of all three impact their daily discourse in unexpected ways unhinging their lives through a vortex of a greater reality. BLUE FIRE spins the controversial A.I. phenomena beyond the consensus narrative of destroying the world VS. saving the world towards a radical vision of the future.
Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains — they’re wizards with giant, elasticized tongues who use black magic to control... kung fu gorillas!
After years imprisoned and being part of a intriguing prison break, ex-policeman Mumbaca and bandit Alfinete join forces to face a spiral of situations that come upon highwaymen looking for vengeance from all over Brazil’s Northeast, where everyone is doomed to fall for a trap set by a new enemy: the notorious Goteiro.
Plagued with poverty and violence, Jamaica tries to inspire its populace by qualifying their national team, the 'Reggae Boyz', for the World Cup. When their efforts start to fall short, Winnie Schäfer, a colorful German coach, teams up with reggae musicians to unite Jamaica beyond the soccer pitch.
Two burglars release dozens of cats into a neighbourhood and start the dogs barking. They use the din to their advantage and dig up a bag of loot. However, the situation snowballs and turns into the worst night the burglars ever spent.
Rebekah Vardy goes on a personal journey through her difficult history with the Jehovah's Witnesses, meeting former members and uncovering secret documents.
A score of amateur children sing and dance in costume in a multi-act musical revue.
State crime is a historic French telefilm, directed by Pierre Aknine and released January 29, 2013 on France 3. It discusses Robert Boulin case and supports the thesis of assassinat1.
An operator refuses to answer an emergency call.
Ronaldo, a singer with the growing reputation dedicating himself body and soul to his art, sacrificing his marriage.
Jeanne dreams of leaving her life as a farmer behind to become an actress, but her path is troubled because she tirelessly tends to her mother, who’s battling inner demons.
The story of Bruno, a rough, heavy man overly fond of drinking. His only desire is to be a normal person, but fate would have it otherwise. One day he wakens to find that his hands are starting to bleed, marking the start of a journey of redemption through suffering, pain and death. From now on he'll have to live with his new stigmata.
When Clara Brand discovers that her husband is cheating on her with her friend and colleague, she plots her revenge, all the while juggling new friendships, new romances and the rediscovery of her passion for food.
End of the WWII, concentration camp somewhere in Poland. Prisoners have heard that Germans have plans to kill them all, before the Allies come. One of the prisoners escapes, and tries to find the Allies. A manhunt begins.
Cowboy/western: hero fakes cowardice to trap the bad guys into showing their hands.
The authors of J.B. Hivemind's Road Trippy begin their road trip adventure. Or at least try to.
