Launch of a competition, organized by the newspaper O Século, entitled Statues of Portugal.
Social & External
Dancers
A estátua
O ardina
The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
Documentary short film on the city of Évora, Portugal. Usually regarded as the first film of the Portuguese New Wave.
Personal experiences of Northwest Ohio residents during the January 1978 blizzard that disrupted daily activities. Stories include the helicopter rescue of an expectant mother, effects on emergency services, and methods people used to survive without electricity and heat.
Documentary following the 1955–1956 Norwegian Archaeological Expedition's investigations of Polynesian history and culture at Easter Island.
In a year of uprisings and political unrest, Stonebreakers documents the fights around monuments in the United States and explores the shifting landscapes of the nation's historical memory.
How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.
The story of the rape of Nanking, one of the most tragic events in history. In 1937, the invading Japanese army murdered over 200,000 and raped tens of thousands of Chinese. In the midst of this horror, a small group of Western expatriates banded together to save 250,000. Nanking shows the tremendous impact individuals can make on the course of history.
In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.
Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
A day in the life of Marta, a raspberry grower who doesn't give up on her dreams.
There's not a person in the world who wouldn't recognize Mickey Mouse. But until now, not many knew the man who originally gave shape, movement and personality to the world's most beloved icon. "The Hand Behind the Mouse: The Ub Iwerks Story" takes you behind the scenes to meet Walt Disney's best friend and chief animator.
Winston Churchill, one of the most revered men of the twentieth century. Adolf Hitler, one of the most hated leaders in contemporary history. Between 1940 and 1945, these two enormously contradictory personalities faced each other in both politics and war. A clash of giants whose story begins in the trenches of the World War I and ends with the debacle of the World War II.
Filmed in 2003 while staying in a Brooklyn Heights apartment, the work centers on a small Greek statue revealed in shifting morning and afternoon light. Beavers weaves these images with views of the East River and Manhattan Bridge, later completing the film in 2010 as a meditative elegy for his friend Jacques Dehornois.
Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.